Showing posts with label auras. Show all posts
Showing posts with label auras. Show all posts

Tuesday, 9 October 2012

'The Witcheye Gene' - Thrillers and Auras


 Writing Thrillers and using Auras
When I was writing my second book ( The Witcheye Gene) I thought it would be interesting to use the paranormal-type phenomenon of auras. I was quite surprised when my research turned up the fact that it was not strictly true that it is entirely a paranormal/supernatural occurrence. My dictionary defines an aura as “an atmosphere or quality of air considered as indicative of a person or thing” but I think that meaning is not quite the same thing. After all, I think we can all recognise that an angry person can exude a certain aggressive-kind of vibe. This person could be said to have an aura about them.
The other meaning of auras is to forewarn of impending epileptic attacks or migraines etc. They indicate the brain is signalling to the sufferer that it is about to happen. These auras can take different forms such as certain smells, sounds or tastes that are experienced by the individual. So an aura in this case can be an important early warning system.

But the kind of aura I am talking about in supernatural thriller writing is the kind of aura where a person is said to have a luminous radiation of light or energy around them that can actually be seen by people who have special powers. There is lots of controversy about this phenomenon but in the land of the paranormal it is exactly the kind of thing that adds flavour and mysticism to a story. And allows a great deal of license in designing credible plot line… I think I used it to good effect when my character – who had a measure of supernatural power – could seea very dark aura around a character.

There are said to be 7 layers to an aura with each layer relating to different human characteristics, and each layer has different colours and different frequencies. So the light wavers and changes colour. Attributing characteristics or using the aura to highlight true motivation is also a useful plot device. For instance an aura could be red signifying suppressed anger or blue signalling calm and rationality. It could be orange for health and vitality or yellow for inspiration and intelligence. Black, of course, would be about evil intention or death… These are simply suggestions but I’m sure you can see how it could be used for good effect. Or maybe not…
In real terms, it seems that we all have an aura – even worms and insects have them – for they are simply magnetic energy fields. It’s just that most people cannot see these fields with the naked eye. Makes for juicy story lines, though… Don’t you think?

 

Sunday, 5 February 2012

Scary - or what? Ghosts and Other Entities

G – Ghosts (and other entities)

“Now, about those ghosts... I'm sure they're here and I'm not half so alarmed at meeting up with any of them as I am at having to meet the live nuts I have to see every day.”
Bess Truman

As a writer of paranormal thrillers, the world of the occult fascinates me.  On looking at the dictionary definition of the word occult, I can see that it can mean esoteric knowledge, secretive mystery and supernatural.
To me the world of occult is mainly associated with the supernatural. It can include such things as Extra sensory perception, spirits, special powers, demons and devils, doppelgangers, possession and special powers ( such as telekinesis, telepathy etc). All these things are great fodder for the supernatural thriller writer. However one thing that is uppermost in my mind when I write is that, irrespective of the supernatural elements, the story must still hold together as a well plotted tale with good, believable characters. It must have the elements of a thriller with rising tension, conflict and suspense and a character in jeopardy.
I also do believe that stories centred on the occult world should grip readers and the supernatural element should be unnerving, scary and even a little terrible. Readers of these kinds of stories expect to be transported to an alternate reality where supernatural abound and yet are still pretty scary.
In the readers mind a little voice poses the question, at least for the duration of the story,”could this possibly happen?”
Suspension of disbelief is what keeps horror and supernatural writers going, as well as the enjoyment of heightened sensations if the story scares as much as it should. The fear, I believe comes from the not knowing.
After all, we really don’t know what awaits us in the afterlife and the possibility of spirits, ghosts etc is not that unbelievable to many people. And lots of perfectly rational folk do indeed believe in the Devil and Demons (for that matter many religions do too). I guess it is this notion of belief and the outside possibility of these things actually happening that captures the imagination of so many supernatural thriller readers – including me!

 

 So, does the occult world scare you? Or are you more scared of the nuts you meet every day?