In terms of gendering suspense, I think it is invaluable. It
signifies to the reader that a particular thing is important and it raises
tension so that the reader keeps the pages turning. I think foreshadowing is
used to some degree or another in all romantic thrillers. It can be as subtle as an
atmosphere or as obvious as a piece of information or an object of interest.
As writers we may shorten sentences and paragraphs, speed up
speech and ratchet up the action to indicate that things are rising to a climax
or something important is about to happen.
In films, we are all familiar with the notion of background music
telegraphing turning an ordinary event into something sinister. This too is
foreshadowing although one could think of it as creating a sense of foreboding.
The main thing about foreshadowing is that we use it early
in a piece of fiction and then deliver on the promise later in the story. It is
a skill that takes a degree of practise, I feel, in order for it to not appear
obvious. The reader should have an ‘ah ah!’ moment later in the story and it
should come as a bit of a surprise - if it’s done correctly. But one that when
they look back, they see it was correctly done and they were not hoodwinked. The other thing is that if, for example, you show a gun early on in a story the reader will expect it to go off at some point later. So then you are using reader expectation to foreshadow and event for later in the tale.
This is a fabulous post, Pat, and very useful. I am trying to acquire this skill as I love reading books with plenty of foreshadowing and those satisfying 'aha' moments. I have tried adding the foreshadowing afterwards, but would love to be able to shade it in as I write. It is definitely the tool I most want to master.
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