ESP - what can we see?

C - Clairvoyance

In supernatural thrillers and horror stories one of the parapsychologies will usually figure somewhere along the way.  Clairvoyance is one of these.The dictionary says clairvoyance is ‘the ability to perceive things that are usually beyond the range of normal human senses’.  But I think many people associate it with the power to ‘see’ into the future.

Second sight or ESP is one area of clairvoyance and it can be a particularly helpful plot device; remembering, of course, that we are talking about fiction and a willingness on the part of a reader to suspend disbelief.

The idea of being able to ‘see’ (or sense) something that is not within the bounds of normal is not a new one. It has been used from the early beginnings of the written word and tales from the classics and mythology are steeped in them.

The main areas of second sight seem to be Remote Viewing, where a person can ‘see’ something that is happening a long way away, Precognition, where a person can ‘see’ and foretell something that is about to happen, and Visions where a person simply ‘sees’ something (it may only be a flash image) but has no idea if it’s from the future, past or present.

Telepathy, premonition and telekinesis are also closely related to second sight.

Of course the scientific community does not accept any of this stuff as it requires proof that is just not available. The various researchers into the area are of the view that most of it is fraud, self-delusion and guesswork. But that doesn’t stop the believers and it certainly doesn’t stop the notion of second sight being fertile grounds for the imagination in fiction writing.

I used the notion myself in my latest book 'The Witcheye Gene'. (Now available on Amazon kindle) The main protagonist had a latent hereditary gift of second sight.

One does not have to believe these things to enjoy a good story that uses any these ideas. If you asked the population in general how many believed in the paranormal you would get a much lower number than those who read the fiction books and watch the films. This is what suspension of disbelief is all about; in that, just for the period that you are immersed in a good story, you are willing to step into a universe where all things are possible. This is the nub of all good plots and fiction in general. How else would we enjoy Harry Potter and The Lord of the Rings?

The other interesting thing for me is that if you have one character who believes in the paranormal and one that doesn’t then that sets the story up for even more conflict and tension, quite naturally without having to work at it.

What do you think? If you make a world ‘real’ enough for the reader, can you suspend disbelief?



Such Powerful Connotations...

B - BLACK IS BLACK...

What a simple but emotive word ‘black’ is…

Because of my favoured writing genre I associate it with the supernatural, the ‘Dark Arts’ and all things evil. But of course, first and foremost, it is simply the word we use to describe an absence of colour.

Oh, how the English language loves a simple word that can be twisted this way and that. I looked in the dictionary expecting to find the straightforward definition but no…. There are many more definitions - more than I could cope with. From being banned or boycotted to villainous, funereal and sable.

And then there are the add ons… Blackmail, blacklist, blackout, black death, black widow, black market, blackboard, blackleg etc. The list is endless but one thing that stood out for me is that many of these terms and words have such negative associations.  No wonder that the black community has for centuries hated the word. Although nowadays, the word is embraced and proudly used by those whose ancestry is African or African American, one can only wonder at the origin of the word. An absence of light and colour and the night sky must have been pretty scary to ancient peoples.

I defy anyone who writes supernatural thrillers to not use the word somewhere in their Manuscript. It is a word that conjures up all that one would wish when used in association with this type of writing. In any one picture or description, if it is meant to be scary or eerie, the colour black is always used. In my book "The Witcheye Gene" the antagonist has an aura which is totally black and I don't think I had to spell it out to the reader that this signified he was evil. Especially when others' auras were a variety of colours.

Such an interesting word with such powerful connotations...

For the rest, I leave you to ponder…

Do you use the word black often (apart from describing a colour) and in what circumstances?

To 'See' or not to 'See' - that is the ESP!

Second Sight



The Eyes Have it!



In supernatural thrillers and horror stories the parapsychologies will usually figure somewhere along the way.

Second sight or ESP is one of these ethereal subjects and it can be a particularly helpful plot device; remembering, of course, that we are talking about fiction and a willingness on the part of a reader to suspend disbelief.

The idea of being able to ‘see’ something that is not within the bounds of normal vision is not a new one. It has been used from the early beginnings of the written word and tales from the classics and mythology are steeped in them.

The main areas of second sight seem to be Remote Viewing, where a person can ‘see’ something that is happening a long way away, Precognition, where a person can ‘see’ and foretell something that is about to happen, and Visions where a person simply ‘sees’ something (it may only be a flash image) but has no idea if it’s from the future, past or present.

Telepathy, premonition and clairvoyance are also closely related to second sight.

Of course the scientific community does not accept any of this stuff as it requires proof that is just not available. The various researchers into the area are of the view that most of it is fraud, self-delusion and guesswork. But that doesn’t stop the believers and it certainly doesn’t stop the notion of second sight being fertile grounds for the imagination in fiction writing.

One does not have to believe these things to enjoy a good story that uses any these ideas. If you asked the population in general how many believed in the paranormal you would get a much lower number than those who read the fiction books and watch the films. This is what suspension of disbelief is all about; in that, just for the period that you are immersed in a good story, you are willing to step into a universe where all things are possible. This is the nub of all good plots and fiction in general. How else would we enjoy Harry Potter and The Lord of the Rings?

The other interesting thing for me is that if you have one character who believes in the paranormal and one that doesn’t then that sets the story up for even more conflict and tension, quite naturally without having to work at it.

My recent book 'The Witcheye Gene' features a genetic anomaly (differing eye colour for each eye - called Heterochromia Iriditis - an actual recognised eye condition) which - fictionally speaking - allows the  character to have special sight and 'see' things in someone's future and present.

Admittedly this kind of story is not everyone's cup of tea but as it is a love story and a crime story too, I hope readers will suspend disbelief long enough to enjoy the story.

What do you think? If you make a world ‘real’ enough for the reader, can you suspend disbelief?