Wicked is as Wicked does - Villains!

V - Villains

"I have to go now, I'm having an old friend for dinner." (Hannibal Lecter, The Silence of the Lambs)

Ha ha! Don't you just just love this amusing quote? I do...  But seriously, villains are the best things in story terms.

A story without some kind of villainous character is hardly a story, in my opinion. For every hero has to have someone (or something) that provides the adversarial context of a story.  And, as we all know, conflict equals trouble and trouble (when the main character has to fight to overcome obstacles) equals a good plot. A good villain ( flawed or not) is the most useful tool to achieve all this.

But to say a villain in a thriller story is flawed is like saying coal is black!

Of course a villain is flawed, I hear you say, otherwise he would be a pretty poor antagonist. A good villain has a personality that most of us would not aspire to as he may be capable of the most dastardly acts. I am however talking about a villain who may be flawed because he/she has some decent human traits that show us he isn’t totally bad. The only villain who could be said to be totally bad is the devil himself, I guess. Most others started out as innocent babies and children but maybe something happened to make them bad. Or maybe not – maybe they simply have more of the undesirable human traits in their genetic make up. Nasty traits do exist to some extent in all of us, but hopefully most people have control of those urges and anyway have more humanity and caring for fellow humans. 

How villainous a character is depends mostly on the type of story you are writing. If it is a love rival or a corporate executive he may not be so nasty in all areas of his life but on the other hand if it is a horror/supernatural villain he may have no redeeming features. For example a bad character may be wicked and malicious to people but may love animals! In this way he is a flawed character and not true to the caricature of evil which we may assume him to be. 

 So, when using villains, a suitable adversary/hero is necessary and it is the juxtaposition of their characters that allow the most conflict and tension in a story.  The hero who has faults is a much more interesting character than the perfect boring type of individual. I think we can relate better to him because he is flawed – as we all are too. Similarly, we all know people who we consider to be horrible individuals but we know (maybe deep down) they will have some redeeming characteristics too.

For me, giving my villains one redeeming human trait, amongst all the vicious, nasty ones, makes them much more interesting ( and indeed fun) and if their malevolent ways came about because of something that happened to them – well, it just makes them all the more intriguing. Not nice and not worth rooting for but maybe a little more human?

So, what do you think? Should villains always be totally bad people with no redeeming factors?

All you need is...Love

L – Love

"Hatred ever kills, love never dies" Ghandi

Where would we be without love? More to the point where would our writing be without it? For in one way or another it features in most works of fiction. When I say love I’m not just talking about the romantic notion of love, I am talking about the emotion of caring for something or someone in an unconditional way.

For me the notion of love is intrinsically linked to its opposite, hate. This dichotomy is the engine which drives most rollicking good stories. There is nothing readers like more than to ultimately see love (and other similar admirable qualities) triumph over evil. Whilst I may not write particularly romantic stories, love always features (in some form or another) in all my fiction.  

Love is one of the most basic of human emotions and we have all experienced it at some point in our lives. It is so strong that artists over the ages have written about its power in songs and verse. It is the very bedrock of human happiness and without it we would all be hard put to survive.

The most primitive and basic form of love is that of mother and child. Love is the protective umbrella that we are all reared under and mother love can - quite literally - achieve almost impossible tasks.

What a fabulous premise to underscore a great story! And what a great adversarial emotion to stand against a destructive protagonist…

In my supernatural thriller writing, ‘love conquers all’ is a frequent theme – it may be parental love, it may be romantic love or it may even be love of a belief, place or group of people.  ‘Love thy neighbour’ is also a common theme when one or more people are racing to save a population or even the whole human race. I have often heard of great sacrifice in order to save one single pet! So love at its best is a very admirable human quality that most of us understand.

 Whilst some may think it a simplistic theme, it is a mighty powerful ally in the structure of a modern story. And far from being solely the thematic concern of the romance genre, it ought (in my opinion) to suffuse all our fiction.

The antagonism of love and hate makes for rich pickings in terms of rising tension and suspense and, as fellow human beings, we can all empathise with and cheer for the main characters who think it worth fighting for.