By The Pricking Of My Thumbs...

Wickedly Wicked

Wicked!  I just love that word. It conjures up images of witches and wizards for me and I always think of the late Ray Bradbury‘s brilliant novel “Something wicked this way comes”. He took his inspiration from Shakespeare’s Macbeth, of course.

Nowadays it is used by young people as a replacement for the word ‘brilliant’ or something similar. It is also associated with the word ‘cool’ – as in something or someone being ‘hip’ or current. Whoever said language was not a living breathing changeable entity!

Anyway, I digress. What I mean to talk about is the original proper use of the word. When I looked it up in my dictionary it said it meant evil or sinful. But then there was a whole host of harsh words from ‘abominable’ to ‘abased’ to ‘shameful’ and ‘vicious’. In fact over fifty similar words! Many of which I have used time and again in my own supernatural thriller writing.

But nothing says something evil quite as succinctly as ‘wicked’. It goes best with villainous characters and horrific deeds.

“To the wicked, everything serves as pretext.” Voltaire said.  A wonderful quote, indeed... I think one could weave an entire story around some of the quotes about wickedness.

A good word like this can be as helpful in horror/thriller writing as love is in romance writing. But it can equally be much overused and abused.

Do you have favourite words that you feel inclined to use more often than not?

 

In The Dark of the Night...

“With light is coupled warmth; with darkness cold”

I guess there is something so old and primordial about using night-time or darkness to enhance the fear factor in thrillers. It strikes me that the dark can be a source of so many fears that in and of itself it could be something to explore in depth in a novel.

An old favourite of mine, Dennis Wheatly,   once wrote that existence is dominated by two powers – light and darkness. When life is devoid of light all progress is halted and if darkness continues unchecked death and decay will follow. So light is therefore associated with powers of good and darkness with evil.

Everyone is familiar with the notion that everyday familiar non-threatening things in the day time can take on a strong aura of menace at night. I know this can be attributed to something as simple as not being able to see well but God (or whatever you believe created us!) has equipped us with a certain amount of night vision. But there again, maybe it’s the fact that one can see in the dark to a certain extent (especially in good moonlight) but not with full acuity. This allows the imagination permission to come into play to fill in the bits our senses are not able to pick up. And no matter how hard you try to neutralise imagination it will have its day!

Many children are fearful of the dark as night-time/sleep-time is a time when they have to cope on their own, without the reassurance of others around them. No small wonder then, that they imagine bogeymen in the wardrobe and things crawling under the bed! 

So it is a well-used vehicle in many horror/thriller stories where one wants to create an unsettling fearful atmosphere or simply to enhance the tension and fudge what’s real and what is not. There is always a feeling of relief for the reader when night turns to day and the plot can roll merrily along without the uncertainty of the dark interfering.

Dastardly deeds are also often committed under cover of darkness and it is easy to see how darkness is associated with evil and how day (light) with goodness. All extremely subjective, by the way, but that is how it is generally perceived.

I feel the dark is a very useful tool to use in supernatural, thriller stories and I use it frequently. In fact my latest book has ‘dark’ in its title and I notice that many more thriller/horror stories use the word in their titles too. It signals a certain kind of story to a read, does it not?

What do you think? Do thriller stories set in darkness conjure up feelings of fear and tension in you?

Scary Dolls and Creepy Trolls

Creepy Toys

I was reading the ’Save the cat’ books by Blake Snyder the other day (and a brilliant read it is too!)

But what surprised me - and stuck in my peanut brain – was that there was much mention of the film Toy Story and how the script was written. It was held up as a good example of how to write a riveting screenplay that raises the stakes steadily until the crescendo of the action stuns the readers and makes them gasp with relief as all is resolved. And this is a children’s story…

But what, you may ask, has that got to do with thriller writing? Well, I think it is a thriller in lot’s of ways. It moves fairly fast and is full of incident and drama that makes you relate to the toys and really feel for these inanimate objects. The action rises as Woody and Buzz get deeper and deeper into trouble…

But more to the point for me is that I also felt a thrill of a chill when looking at some of the broken toys and for some reason they made me think of horror stories. They seem almost more lifelike than the other toys but unlike the other toys they were also slightly scary. I know of more than one child who thought the doll was plain frightening.

Which brings me to my point really - that even mundane harmless things can be made to feel scary! I I am put in mind of the number of people who are scared of clowns… They are meant to be fun characters that make us laugh but for some people they are just plain terrifying.

Dolls are symbolic of babies and are meant to be looked after by young children so when they are mutilated and/or broken they seem to change into something else entirely.  So when I am searching to put a frightening element into my stories I try to look for something mundane and imbue it with a sense of something different or even something evil. It horrifies us all the more.  The more harmless an object seems the more awful it is when it turns out to be not harmless at all…

Do you use normal everyday things and turn them into something else?

Killer Thrillers

 Killer Thrillers

Murder, the TV and film industry would have us believe, is common and frequented by dastardly criminal types and . The truth, happily, is that in real life, it is not as frequent as it might seem. As we all know, murderers inhabit the pages of whodunits and mystery novels like the opening night of a big screen blockbuster! The best example in English TV is the small quiet leafy village of Midsommer where murders – usually more than one - happen every week! The focus of these plots is the hero/heroine (usually a clever detective) who solves the murder and catches the killer.

In thrillers, unlike mystery and ‘whodunit’s’, a murder is often not the main plot line. But a killing will often serve to raise the stakes for the hero/heroine i.e. a woman desperate to save her child (and the rest of the world maybe) has to accept the kidnappers mean business when another child is found murdered. In a race against time, Killings along the way may be viewed as acceptable losses. Some murders are even inconsequential – strange though it may seem. For instance the multitude of deaths in war stories, blockbuster disasters and action movies.

The best thrillers, though, often have a murder somewhere in them, even if it is only a bit player (e.g. The Da Vinci Code and other search/quest thrillers). A murder lifts the story from ‘so so’ to an elevated level where more important characters are under threat. The tension and anxiety for the reader thus ratchets up a level. This, of course, is where thrillers come into their own for they are all about rising tension and cliff hangers at a mile a minute speed.

In one of my books (The Witcheye Gene) the killing actually starts in the prologue - another familiar way to show the true nature of what the hero is up against.

So do you need to show the actual murder in graphic detail or not? Depends is my answer – if we want the reader to feel worried or scared for the hero then yes. But maybe a few choice details will suffice rather than a blow by blow account. I also think it is more about showing what kind of person the protagonist is (and how his character connects to the story) than the actual deed.  However no one is truly all evil – except maybe the devil himself - so a fully rounded villain also needs some redeeming qualities. Many of the best known villains murder ruthlessly and without compunction yet they love their mother/animals/children! In fact, I believe it is these very human traits mixed with the very worst traits that fascinate us so much. And that is why the best known fictional villains/murderers stay with us for a long time. They could so easily have been just like us!

Murder for murder’s sake should never be introduced into a story just to spice it up but a well placed, well developed villain/protagonist who murders,horrifies us and that can certainly rev a tale up into top gear!

Who is your favourite murderer/villain in the most well known fiction?



                                                            

The Afterlife of Darkmares

Nightmares, Darkmares and Demons

What a wonderful, fascinating  place the world of dreams appears to be. But an even more extraordinary place is the world of nightmares.

For the stuff of nightmares - or night terrors, as they are often called in children - is where many horror/supernatural stories appear to emanate from.  Of course, the scientists amongst us know perfectly well that nightmares or bad dreams are simply the subconscious mind making sense of scary, worrying things that happen to us. They are no more a precursor of bad things to come nor an evil sign of impending doom than dreams about fairies or paradise are harbingers of marvellous happenings. Ah, but here’s the rub – no one can actually prove that and so the workings of the subconscious mind remain a wonderful fertile ground for paranormal thrillers.

Nightmares in and of themselves are basically bad dreams that often can and do cause much distress. But the nightmare has it’s origins in folklore. The night part is easily explained but what of the other word mare? What is that? In Norway the Mare is a female shape shifter who can take the form of an animal or dwarf and who can change into a wind that can slip through windows and keyholes to get to intended victims whilst they are sleeping. By day the Mare is a normal woman but at night the urge to find and control victims is strong. The Mare enters a person’s bedroom and sits on their chests, causing tightness, troubled breathing and horrible dreams. In American folklore this Mare spirit eventually became the nightmare of which we are all familiar.

For myself, I used this motif in my latest book but called the nightmare a ‘darkmare’ as the character was not only troubled at nighttime.  My book - "The Afterlife of Darkmares" by PJ Newcombe - is now available from http://www.lulu.com/

Have you ever used folklore/mythology to garnish or deepen your stories? Have you ever used nightmares as a major part of your story?



Zombies or Vampires?

Hi folks!
I've been away from blogland for the last week - a much needed break away from home, lying on a sunbed!!! But now I'm ready to get going again... My last a-z post is beckoning...

Z – Zombie

I find Zombie to be a strange word… My dictionary defines it as “a person appearing lifeless or apathetic”. Or in the case of horror stories “a corpse supposedly brought to life by supernatural means”.

A Zombie appears to be first mentioned in voodoo culture in Haiti and does refer to someone coming back from the dead. In popular culture zombies have been used to great effect in many horror movies. They are traditionally half rotted corpses with physical resemblance to people and ability to physically move but their brains and therefore any emotions or cognisance has gone. I think this may be why they are so scary when used in films and books. There is just no reasoning with them so they might as well be aliens!

I think nowadays, they are monsters who have become so caricatured that, in and of themselves, they do not scare so much, rather like Frankenstein. We are rather more sophisticated today and know that there are much scarier things than zombies. Besides, they have been overtaken by vampires, in this day and age…

But despite falling out of fashion, all monsters and superhuman beings can be scary if used in the right way, and as part of a rollicking good story, they can still be useful scaremongerers.

Do you think Zombies are past their sell by date? Do they scare you?

The Afterlife of Darkmares

Hip hip hooray! My new novel  "The Afterlife of Darkmares" is now out!

Today I'm going to ski-p my A-Z posts in favour of telling you about my latest publication. So I am officially anouncing my new thriller here...

The novel is available on http://www.lulu.com/ at present ( at a reduced price) but will soon be out on amazon too ( full price).

For anyone who is interested here is the back cover blurb:

When single mum Kate Linden’s disabled daughter dies unexpectedly she is stunned to find she is under suspicion of harming her. But Kate still has a 12year old son, Grif, who refuses to speak and is grappling with issues of his own – not least of which is his attachment to a supposedly imaginary friend. Kate’s relationship with her son is fraught as she struggles to make some kind of connection with him and also deal with her own intense grief.

Unbeknown to Kate, in 1665, a disastrous event - the plague - in a small Derbyshire village - has consequences that stretch into the 21^st Century and Kate is blind to the fact that her son (feeling estranged from all around him) has unwittingly allowed an evil entity to awaken and threaten them all.

 Kate must now fight her own demons and accept help from unlikely sources if she is to save her son from a fate worse than death. The help finally comes from a sleep therapist, an elderly bereaved lady and Jeremiah, an old man who hovers between life and death on a life support machine…

So, does the cover say 'spooky' to you or not?

All opinions very welcome...

Wicked is as Wicked does - Villains!

V - Villains

"I have to go now, I'm having an old friend for dinner." (Hannibal Lecter, The Silence of the Lambs)

Ha ha! Don't you just just love this amusing quote? I do...  But seriously, villains are the best things in story terms.

A story without some kind of villainous character is hardly a story, in my opinion. For every hero has to have someone (or something) that provides the adversarial context of a story.  And, as we all know, conflict equals trouble and trouble (when the main character has to fight to overcome obstacles) equals a good plot. A good villain ( flawed or not) is the most useful tool to achieve all this.

But to say a villain in a thriller story is flawed is like saying coal is black!

Of course a villain is flawed, I hear you say, otherwise he would be a pretty poor antagonist. A good villain has a personality that most of us would not aspire to as he may be capable of the most dastardly acts. I am however talking about a villain who may be flawed because he/she has some decent human traits that show us he isn’t totally bad. The only villain who could be said to be totally bad is the devil himself, I guess. Most others started out as innocent babies and children but maybe something happened to make them bad. Or maybe not – maybe they simply have more of the undesirable human traits in their genetic make up. Nasty traits do exist to some extent in all of us, but hopefully most people have control of those urges and anyway have more humanity and caring for fellow humans. 

How villainous a character is depends mostly on the type of story you are writing. If it is a love rival or a corporate executive he may not be so nasty in all areas of his life but on the other hand if it is a horror/supernatural villain he may have no redeeming features. For example a bad character may be wicked and malicious to people but may love animals! In this way he is a flawed character and not true to the caricature of evil which we may assume him to be. 

 So, when using villains, a suitable adversary/hero is necessary and it is the juxtaposition of their characters that allow the most conflict and tension in a story.  The hero who has faults is a much more interesting character than the perfect boring type of individual. I think we can relate better to him because he is flawed – as we all are too. Similarly, we all know people who we consider to be horrible individuals but we know (maybe deep down) they will have some redeeming characteristics too.

For me, giving my villains one redeeming human trait, amongst all the vicious, nasty ones, makes them much more interesting ( and indeed fun) and if their malevolent ways came about because of something that happened to them – well, it just makes them all the more intriguing. Not nice and not worth rooting for but maybe a little more human?

So, what do you think? Should villains always be totally bad people with no redeeming factors?

What's in a name?

N – Names

What’s in a name? Character, that's what...

Am I the only writer who agonises over names for days on end?  I guess I find it so difficult because I think names are so important in characterisation. They give the reader clues as to what kind of person they should expect. It may seem arbitrary as we are all given names by our parents - when they have no idea what sort of people we will eventually turn out to be.  Then again, many parents agonise over their children’s names too! We give children names and then hope their characters turn out to be what we would want for them. But in the world of fiction we try to choose names that suit the character we are trying to create.

For instance, age and era play a big part in my choices. A woman who was born early 19^th century would not be called Rhianna or Stacy. Just doesn’t ring true, does it? But Arabella or Victoria does. The age of characters is also important in deciding names. I can easily imagine an older man called Hector or Jeremiah but not a young boy. I think most readers meeting a character with these names would automatically have in their mind’s eye and older man even before any physical description is given.

Whether your character is the antagonist or protagonist is also important in naming. Although sometimes one might want to increase surprise by giving an evil character an innocuous name… I think it depends on how you are trying to present your story.

Male heroes names tend to be strong masculine names – they are not usually called Fred or Bert - but female heroines may also be strong ‘no nonsense’ names too. I wouldn’t choose a name like Ophelia or Primrose if I wanted my heroine to be seen as strong and capable. But then again, it is all a matter of personal choice… In fact, the more I think about it, the more I like Ophelia!!

When we are introduced to people in real life we may be told their names but it is not the only information we have of them. We can see how they behave, what they look like and hear them speak. We can make judgements about what sort of person they are (although we may turn out to be totally wrong, of course!)

But in writing fiction we have to give a strong first impression by words only to have the reader ‘see’ our character in their mind’s eye. I believe this is why names are so important.

How much importance do you give to naming your characters? Do you agonise or go with the story and change the name later to fit the character?

All you need is...Love

L – Love

"Hatred ever kills, love never dies" Ghandi

Where would we be without love? More to the point where would our writing be without it? For in one way or another it features in most works of fiction. When I say love I’m not just talking about the romantic notion of love, I am talking about the emotion of caring for something or someone in an unconditional way.

For me the notion of love is intrinsically linked to its opposite, hate. This dichotomy is the engine which drives most rollicking good stories. There is nothing readers like more than to ultimately see love (and other similar admirable qualities) triumph over evil. Whilst I may not write particularly romantic stories, love always features (in some form or another) in all my fiction.  

Love is one of the most basic of human emotions and we have all experienced it at some point in our lives. It is so strong that artists over the ages have written about its power in songs and verse. It is the very bedrock of human happiness and without it we would all be hard put to survive.

The most primitive and basic form of love is that of mother and child. Love is the protective umbrella that we are all reared under and mother love can - quite literally - achieve almost impossible tasks.

What a fabulous premise to underscore a great story! And what a great adversarial emotion to stand against a destructive protagonist…

In my supernatural thriller writing, ‘love conquers all’ is a frequent theme – it may be parental love, it may be romantic love or it may even be love of a belief, place or group of people.  ‘Love thy neighbour’ is also a common theme when one or more people are racing to save a population or even the whole human race. I have often heard of great sacrifice in order to save one single pet! So love at its best is a very admirable human quality that most of us understand.

 Whilst some may think it a simplistic theme, it is a mighty powerful ally in the structure of a modern story. And far from being solely the thematic concern of the romance genre, it ought (in my opinion) to suffuse all our fiction.

The antagonism of love and hate makes for rich pickings in terms of rising tension and suspense and, as fellow human beings, we can all empathise with and cheer for the main characters who think it worth fighting for.

Better the Devil you know?

D – Devil

"By the pricking of my thumbs, something evil this way comes" Shakespeare.

In the Manichean struggle the Devil is probably the ultimate villain! No small wonder then that many supernatural stories feature this deity as a consummate character. Whether you believe in the existence of a god or his opposite, most people are fascinated by the idea of a being who has all the most undesirable characteristics of human frailty. In many cultures that being is the Devil.

The Devil (or Satan), in Christian culture is always supposedly the fallen angel, Lucifer. But according to the bible the devil has many names (including Amadeus and Mephistopheles) and all associated with much evil doing. “What is thy name? My name is Legion, for we are many.” Mark 5:9

‘The Satan’ first appears in the bible as a messenger sent by God. He was used as a catalyst in the story of Job where he acted as a tempter and accuser. In the story of Adam and Eve he is described as a ‘powerful wicked angel’ who led the plot against humankind by tempting Eve. For this act God threw him and his henchmen out of heaven and thus he became known as the Devil who rules the kingdom of darkness and subsumes all evil powers. He tempts people to evil doings and is also known as ‘The Great Deceptor’ for appearing disguised as an angel of light.

 Despite the murky origins of this so-called fallen angel we do also find the devil appearing in other religions too (in Islam he is known as Shaitan). Whatever the truth (or your own beliefs), everyone understands the significance of good versus evil and the Devil (Satan or whatever) has come to be known as the personification of evil in this world.

So, what a fabulous plot device to use in a story? The ultimate antagonist. And because none of the origins or the stories around the entity can be verified you can use him howsoever you wish! Such brilliant fodder for creating conflict and suspense… And a great adversary for the hero/heroine of a supernatural thriller story…

Have you used the Devil in your stories? Do you think it is still acceptable in this day and age of technology to use an ancient religious deity?

Such Powerful Connotations...

B - BLACK IS BLACK...

What a simple but emotive word ‘black’ is…

Because of my favoured writing genre I associate it with the supernatural, the ‘Dark Arts’ and all things evil. But of course, first and foremost, it is simply the word we use to describe an absence of colour.

Oh, how the English language loves a simple word that can be twisted this way and that. I looked in the dictionary expecting to find the straightforward definition but no…. There are many more definitions - more than I could cope with. From being banned or boycotted to villainous, funereal and sable.

And then there are the add ons… Blackmail, blacklist, blackout, black death, black widow, black market, blackboard, blackleg etc. The list is endless but one thing that stood out for me is that many of these terms and words have such negative associations.  No wonder that the black community has for centuries hated the word. Although nowadays, the word is embraced and proudly used by those whose ancestry is African or African American, one can only wonder at the origin of the word. An absence of light and colour and the night sky must have been pretty scary to ancient peoples.

I defy anyone who writes supernatural thrillers to not use the word somewhere in their Manuscript. It is a word that conjures up all that one would wish when used in association with this type of writing. In any one picture or description, if it is meant to be scary or eerie, the colour black is always used. In my book "The Witcheye Gene" the antagonist has an aura which is totally black and I don't think I had to spell it out to the reader that this signified he was evil. Especially when others' auras were a variety of colours.

Such an interesting word with such powerful connotations...

For the rest, I leave you to ponder…

Do you use the word black often (apart from describing a colour) and in what circumstances?

Cook Book Look At Genre

Recipe for a good tale?

I was recently asked, by a well-meaning friend, what kind of stories I wrote.

“Thrillers,” I answered.

“Oh, not romance then,” the friend said, plainly dissapointed.

“Oh no, there is romance in my stories as well,” I responded.

It got me thinking about the question of genres and the categories we all use.

So, exactly what kind of writer am I, I ask myself? I call myself a thriller writer – mainly of the supernatural genre. But when I think hard about categories, I realise my novels may well feel like everything but the kitchen sink added in!

You see, I think of a plot as a cooking recipe. For a good story I mix together certain ideas and form them into the basic story-line for what I need. I then add in extra ingredients to, hopefully, make my story stand out.  Not to overdo it, of course, otherwise the main story line can become obscured.

To that end, when I examine my plots, I find they are usually Manichean (good against evil) and often the main character is unwilling at first but then is in a desperate race to get something. My recipe usually includes the raising of stakes for the main character and rising tension throughout the story. Rather like baking a cake, methinks? Well there you go, more cooking analogies!

I find I nearly always add a love interest, (the genre of romance?) a ‘what if’ element (maybe it could be horror?), a ‘whodunit’ bit (mystery story) and usually some kind of race against time (a thriller caper). And then again, I also try to add subplots that intertwine with the main story. My recent book also had a time-slip element to it so I could call it historical too.

Maybe other writers don’t have to fight with themselves when they realise they want to add further spice to their stories but I always do. I would happily mix genres even more if I let my muse loose for long enough…  Like a good cake recipe, you need to know when the mixture is just right. Sometimes less is more…

So I reign myself in and try to stick to the main category I enjoy – supernatural thriller writing. But it doesn’t stop me adding a bit of spice here and there…

Do you tend to mix things up or are you totally faithful to your own genre?

Demons, devils and other deadly spirits...

The Devil's in the detail.

“Willingly, I too say Hail! To the awful unknown powers which transcend the ken of understanding.” Ralph Waldo Emmerson

Demons are subversive spirits. They exist in the folklore of every society on earth so whatever your religious convictions there are many ordinary people who think that in the natural world there are things which defy explanation. What a rich source of material for a fiction writer to mine!

This unknown quantity (and a belief in greater powers we know little about) has led some to believe in all sorts of mythical creatures. In this scientific day and age, those beliefs are less common than they were centuries ago but they still thrive today on every continent in the world.

Fiction writers – and especially horror, supernatural writers - have used those beliefs to good effect in their writing. If you cannot disprove a belief then you have to acknowledge that there is always the slim chance that the belief is true! Enter the world of ‘what if’! A world of fairies, angels and demons.  These kinds of scenarios are common in tales of horror

A demon/evil spirit of some kind may be wreaking havoc in a story or it could even be that a demon is the main protagonist. Or perhaps a demon is simply a messenger - the henchman of the devil, carrying out his will. These kinds of scenarios are common in tales of the supernatural and, indeed, horror in general.  

Throughout the history of the world, demons have been held responsible for every natural disaster that ever befell humankind. Whatever a demon is or does there is a certain categorisation of them in folklore that may be worth looking at. Every demon has their own relevant characteristic according to patterns and habits and what they stand for. For example there are demons associated with water, mountains, deserts, buildings etc. They are as invisible as bacteria, slipping inside people’s minds and commandeering their will. They are full of trickery and deceit and can be vengeful and destructive.   They are also used as a signpost for morality – underlining the fight between good and evil.

In the traditional story telling of ancient times the demon was usually the villain of the piece. Nowadays, we are a bit more discerning and take a rather more cynical view of such things but if we appeal to the deep subconscious part of our minds the primal fear of demons and all things evil are still there.

In my opinion, to write about such things as demons, evil spirits or similar entities and to construct a tale so powerful that readers will suspend disbelief and enter your story world, is a thrill indeed. This is the challenge for writers of the supernatural thriller.

Do you read these kinds of stories? Do you find them a bit too much?

Ta! Da! 'The Witcheye Gene' now in kindle form!



Hi everyone

Three cheers! I have finally got my book ( The Witcheye Gene' by P J Newcombe) into e-book form and it is released today on Amazon kindle. it is of course, still availble as hard copy on amazon but now you can download it too. Brilliant! The book is a supernatural thriller and it would be great if anyone feels they could take a look at the free sample or even, dare I say it, buy?

Here is the blurb to try and tempt you:

'Kendal MacIntyre has fought long and hard to overcome the emotional scars of an unhappy childhood to create the successful boutique business she now has. Having lost her husband to cancer she is driven by one thing only – to see her daughter April have all the advantages in life that she herself was denied. So when someone appears to be snooping, she is terrified that her shameful secret will wreck April’s chances in life and she stubbornly refuses to acknowledge the hereditary trait of ‘special’ sight. But when an evil killer threatens the very existence of her family, she knows she must face her demons if she is to save the one thing she cares about.'

Do let me know what you think? All comments - good or bad - are most welcome. 

The Good, the Bad and the maybe not quite so Bad??

The Flawed Villain

To say a villain in a thriller story is flawed is like saying coal is black!

Of course a villain is flawed, I hear you say, otherwise he would be a pretty poor antagonist. A good villain has a personality that most of us would not aspire to as he may be capable of the most dastardly acts. I am however talking about a villain who may be flawed because he/she has some decent human traits that show us he isn’t totally bad. The only villain who could be said to be totally bad is the devil himself, I guess. Most others started out as innocent babies and children but maybe something happened to make them bad. Or maybe not – maybe they simply have more of the undesirable human traits in their genetic make up. Nasty traits do exist to some extent in all of us, but hopefully most people have control of those urges and anyway have more humanity and caring for fellow humans. 

How villainous a character is depends mostly on the type of story you are writing. If it is a love rival or a corporate executive he may not be so nasty in all areas of his life but on the other hand if it is a horror/supernatural villain he may have no redeeming features. For example a bad character may be wicked and malicious to people but may love animals! In this way he is a flawed character and not true to the caricature of evil which we may assume him to be. 

 Always, when using villains, a suitable adversary/hero is necessary and it is the juxtaposition of their characters that allow the most conflict and tension in a story.  The hero who has faults is a much more interesting character than the perfect boring type of individual. I think we can relate better to him because he is flawed – as we all are too. Similarly, we all know people who we consider to be horrible individuals but we know (maybe deep down) they will have some redeeming characteristics too.

For me, giving my villains one redeeming human trait, amongst all the vicious, nasty ones, makes them much more interesting ( and indeed fun) and if their malevolent ways came about because of something that happened to them – well, it just makes them all the more intriguing. Not nice and not worth rooting for but maybe a little more human?

So, what do you think? Should villains always be totally bad people with no redeeming factors?

Dark Drama's?

The Dark - 'All Aboard for a ride to midnight'

I guess there is something so old and primordial about using night-time or darkness to enhance the fear factor in thrillers that it is hardly talked about as tool. Everyone knows that darkness can be a strange or anxious time, right? But is it really that scary? Darkness is, of course, the absence of the sun (light) and without light and heat, human life cannot exist. So darkness is stongly associated with death.

But it strikes me that the dark can be a source of so many fears that in and of itself it could be something to explore in depth in a novel.

Everyone is familiar with the notion that everyday familiar non-threatening things in the day time can take on a strong aura of menace at night. I know this can be attributed to something as simple as not being able to see well, but God ( or whatever you believe created us!) has equipped us with a certain amount of night vision. But there again, maybe it’s the fact that one can see in the dark to a certain extent (especially in good moonlight) but not with full acuity. This allows the imagination  to come into play to fill in the bits our senses are not able to pick up. And no matter how hard you try to neutralise it, the imagination it will have its day!

Many children are fearful of the dark as night-time/sleep-time is a time when they have to cope on their own, without the reassurance of others around them. No small wonder then, that they imagine bogeymen in the wardrobe and things crawling under the bed! 

So it is a well used vehicle in many horror/thriller stories where one wants to create an unsettling fearful atmosphere or simply to enhance the tension and fudge what’s real and what is not. There is always a feeling of relief for the reader when night turns to day and the plot can roll merrily along without the uncertainty of the dark interfering.

Dastardly deeds are also often committed under cover of darkness and it is easy to see how darkness is associated with evil and how day (light) with goodness. All extremely subjective, by the way, but that is how it is generally perceived.

I feel the dark is a very useful tool to use in supernatural, thriller stories and I use it frequently. In fact my latest book has ‘dark’ in its title and I notice that many more thriller/horror stories use the word in their titles too. It signals a certain kind of story to a read, does it not?

What do you think? Do thriller stories set in darkness conjure up feelings of fear and tension in you?

For samples of my novel writing please visit http://www.patricianewcombe.webnode.com/

Raising the Stakes

A Thriller Killer?

Murder’s, the TV and film industry would have us believe is frequent and horrible. The truth is, happily, it’s not as frequent as it might seem. Murderers inhabit the corridors of whodunits and mystery novels like the opening night of a Harry Potter premier. The best example in English TV is the small quiet leafy village of Midsommer where murders – usually more than one - happen every week! The focus of those plots is for the hero/heroine to solve the murder and catch the killer.

In thrillers, unlike mystery and ‘whodunit’s’, a murder is often not the main plot line. But a killing will often serve to raise the stakes for the hero/heroine i.e. a woman desperate to save her child (and the rest of the world maybe) has to accept the kidnappers mean business when another child is found murdered. In a race against time, Killings along the way may be viewed as acceptable losses. Some murders are even inconsequential – strange though it may seem. For instance the multitude of deaths in war stories, blockbuster disasters and action movies.

The best thrillers, though, often have a murder somewhere in them, even if it is only a bit player (eg The Da Vinci Code and other search/quest thrillers). It lifts the story from ‘so so’ to a higher level where more important characters are under threat and the anxiety for the reader ratchets up a level. This, of course is where thrillers come into their own for they are all about rising tension and cliff hangers at a mile minute speed.

In one of my books (The Witcheye Gene) the killing actually starts in the prologue - another familiar way to show the true nature of what the hero is up against.

So do you need to show the actual murder in graphic detail or not? Depends is my answer – if we want the reader to feel worried or scared for the hero then yes. But maybe a few choice details will suffice rather than a blow by blow account. I also think it is more about showing what kind of person the protagonist (villain) is and how his character connects to the story, than the actual deed.  However no one is truly all evil – except maybe the devil himself - so a fully rounded villain also needs some redeeming qualities. Many of the best known villains murder ruthlessly and without compunction yet they love their mother/animals/children! In fact, I believe it is these very human traits mixed with the very worst traits that fascinate us so much. And that is why the best known fictional villains/murderers stay with us for a long time. They could so easily have been just like us!

Murder for murder’s sake should never be introduced into a story just to spice it up but a well placed, well developed villain/protagonist who murders horrifies us and that can certainly rev a tale up into top gear!

Who is your favourite murderer/villain in the most well known fiction?

Ta Da! My re-vamped blog launches!

TA DA!! *Trumpet fanfare - Ryanair style*... My newly renovated, re-vamped and refurbished blog launches today!

After reading Kristen Lamb's blog and her social media books, I decided to take her advice and totally re-focus my blog to reflect who I am and what I do.  Hence the emphasis on me and my genre. 
I intend to blog at least three times a week and although it will be mostly about thrillers, I will talk about other related topics too. (*Muse whispers in ear*, well, that little rider gives you carte blanche if you get stuck!  Ignores muse and shakes head - onwards and upwards...)

So, to coninue - my Monday posts will be about some of the darker edges of thrillers such as murder, evil and what makes bad characters tick.

My posts on Wednesdays will be a little tongue in cheek as I intend to explore the paranormal, supernatural and some other whacky bits and peices (but NO vampires!). Mainly because my books do feature some elements of the supernatural - although fairly lightly done.

Fridays will be about the whole genre of thrillers from suspense, horror, and murder mystery to epic armageddon type tales. The story is the main thing and in common with many thriller writers I do try to make my stories fast-paced and edgy.

So there you go - new blog launched! I just hope it will fly!

What do you think? Is re-branding oneself a good thing?

Samples of my books and writing are on my website: http://www.patricianewcombe.webnode.com/