Modus Operandi - Ways to Commit Murder

Modus Operandi for Villains.

“Kill a man and you are an assassin, kill millions of men and you are a conqueror, kill everyone and you are a God.” So said Jean Rostand.

I love that quote but life is not sacred in the telling of a good thriller story!

How many ways can you kill a person? How long is a piece of string, you ask.

One of the most intriguing ways I came across was using an ice stalactite! Believable or not – it was written into a story. Of course as far as working out what the murder weapon was, the police had a hard time for there was simply a pool of water on the floor by the time the body was discovered.

It’s fair enough food for thought though. Thriller writers are having to come up with ever more ingenious ways to commit their make believe murders as we’ve all heard it all before.

In a seminar once, we were asked to look around the room and find ways to kill a person. It was just a bit of fun! But it was unsettling and yes, funny, what the imagination of 15 people came up with. Apart from the obvious ones like pushing guy through an upstairs window (we were on the 6^th floor at the time), strangling and bashing someone’s head against the floor, there were some inventive scenarios. One chap suggested grinding up the board rubber and shoving it down someone’s throat. Another wanted to crush a person’s chest by piling all the furniture (which was very heavy) on top of him, whilst someone else suggested using the light fitting to electrocute!

Perhaps those are a bit far-fetched but you get the picture…

So have you any interesting ways a villain could commit a murder?

Raising the Stakes

A Thriller Killer?

Murder’s, the TV and film industry would have us believe is frequent and horrible. The truth is, happily, it’s not as frequent as it might seem. Murderers inhabit the corridors of whodunits and mystery novels like the opening night of a Harry Potter premier. The best example in English TV is the small quiet leafy village of Midsommer where murders – usually more than one - happen every week! The focus of those plots is for the hero/heroine to solve the murder and catch the killer.

In thrillers, unlike mystery and ‘whodunit’s’, a murder is often not the main plot line. But a killing will often serve to raise the stakes for the hero/heroine i.e. a woman desperate to save her child (and the rest of the world maybe) has to accept the kidnappers mean business when another child is found murdered. In a race against time, Killings along the way may be viewed as acceptable losses. Some murders are even inconsequential – strange though it may seem. For instance the multitude of deaths in war stories, blockbuster disasters and action movies.

The best thrillers, though, often have a murder somewhere in them, even if it is only a bit player (eg The Da Vinci Code and other search/quest thrillers). It lifts the story from ‘so so’ to a higher level where more important characters are under threat and the anxiety for the reader ratchets up a level. This, of course is where thrillers come into their own for they are all about rising tension and cliff hangers at a mile minute speed.

In one of my books (The Witcheye Gene) the killing actually starts in the prologue - another familiar way to show the true nature of what the hero is up against.

So do you need to show the actual murder in graphic detail or not? Depends is my answer – if we want the reader to feel worried or scared for the hero then yes. But maybe a few choice details will suffice rather than a blow by blow account. I also think it is more about showing what kind of person the protagonist (villain) is and how his character connects to the story, than the actual deed.  However no one is truly all evil – except maybe the devil himself - so a fully rounded villain also needs some redeeming qualities. Many of the best known villains murder ruthlessly and without compunction yet they love their mother/animals/children! In fact, I believe it is these very human traits mixed with the very worst traits that fascinate us so much. And that is why the best known fictional villains/murderers stay with us for a long time. They could so easily have been just like us!

Murder for murder’s sake should never be introduced into a story just to spice it up but a well placed, well developed villain/protagonist who murders horrifies us and that can certainly rev a tale up into top gear!

Who is your favourite murderer/villain in the most well known fiction?