From Backyard to Graveyard

A Grave Matter...

The subject of graveyards or cemeteries is something that fascinates me. As a writer of supernatural thriller novels the sombre oppressive atmosphere of a graveyard, imbued with such reverence and awe as befits the dead, is a great place to start. Its melancholy sense of past misery seems to hang in the air like some unholy miasma as legions of the living have cried rivers of tears in their intense grief and loneliness. What a sad place for the living…

Death is inevitable for all of us and in a graveyard we are reminded of the frailty of human existence like nowhere else. The fascination for me, when I visit graveyards, is to look at the oldest graves and inscriptions and wonder what happened to the person… Sometimes great ideas for stories spring forward from this as I try to imagine what life might have been like for the said dead person.

But apart from that there is the great unknowing… What does happen when we finally confront our very existence? Scary stuff, indeed, for most of us… Unless you have great faith in your own brand of religion/belief… Most of us do not want to be reminded that we are going to pass into the great unknown someday. Perhaps that is really the scary part about graveyards and cemeteries.

But spirits, ghosts and things that go thump in the night are also great things to think about in graveyards…



So let your imagination fly!! If you dare…

Do graveyards/cemetaries scare you or are they just places of great sadness?

A Curious Thing Happened...

One of the things I learned early on in my novel writing was that you must have fully formed multi-dimensional characters. I wondered what this actually meant and after reading around and talking to other writers I realised that the characters (at least the main ones) must come to the page with an agenda, motivation, likes, dislikes and tons of personality.

Of course, you cannot bore readers to death with masses of personal history, but what you can do is compile a character sheet with all the personal traits you want the character to have – as recommended by many a ‘how to write’ author… But wait… That still didn’t feel quite right to me. How can a simple list of likes, dislikes make a person? The answer is they don’t!

But I made my lists anyway and then a curious thing happened… I found myself wondering ‘why’ this character would like this and ‘why’ did they hate that?  I started writing more (on my character sheet) about the character’s childhood, upbringing, status in life and what brought them to this point in their existence. Suddenly I had a story character with formidable motivation who felt real – great! But it did not exactly fit the plot I had in mind. What to do? I changed the plot.

I did this with other characters too – especially the antagonist – trying to go against the main traits I had in my protagonist. Voila – I had inbuilt conflict. When I finished doing all the character sheets I realised I had stacks of back story which I could draw on at any point in my story without going into information and descriptive overload.

I have to say this method of drawing up extensive back story really worked for me and I think my stories benefitted enormously from my knowing what motivated the characters.  Most of this work never saw the light of day, of course, but it helped me to have it in my mind that a certain person would react/behave in a certain way because they were pre-programmed by fate, upbringing and circumstance. I like to think my characters ‘came to life on the page’ – tried and trusted cliché I know…  Sorry.

So now, when I am trying to put a story together, I start with the germ of an idea and then go onto character pretty quickly so I can write their history and what makes them the person/character that they are.  It generally results in a well-rounded, believable plot too. At least that’s what I like to think…

So, do you write character sheets that tie in with the back story?

The Click is KIng! Long Live the King!

The click is mightier than the pen - they say...

I once put pen to paper (literally) and wrote.

Now I click, tap and navigate. What a huge change to the way we all communicate. I can’t even remember when I last received a hand written letter.   I am not a bright, young thing (although I’d like to think I’m still reasonably bright!) but I know many others of a similar age group who are also very au fait with computers and indeed to some degree, social networking.

For me the keypad is quicker than the pen when it comes to getting tumbling thoughts and ideas down on paper. Free writing engages the creative right side of the brain and not the analytical, logical left brain. I believe getting something, anything, down on a blank sheet is the best way to avoid writers block and so I often use free writing to help me think and get going on a project.

Using the keypad rather than the pen gives me a quicker easier way to use this stream of consciousness writing and make some sense of it. In longer pieces (and especially at the beginning of a novel when my thoughts may be a little muddled anyway) it’s far easier for me to rush on knowing I can come back and sort it later. Editing with pen and paper just leaves me with a confused mess of crossings out and no sense of what I am really trying to say.  Having said that, I have friends who continue to write in longhand – at least initially. They still cherish the feel of pen on paper and love to fill the blank white pages of a notebook.

Just occasionally I write something longhand – maybe a rough draft of an article or something short. However I do find the writing tends to end up almost note-like with no proper sentences. I guess that’s because my hand cannot keep up with my brain! No, wait… That can’t be right! My brain is definitely a slowcoach… (Thinks….)  Or maybe not…

Long live writers of all kinds!

So do you still write longhand occasionally or are you a total keyboard convert?

Life Blood for fiction - Conflict

                                   CONFLICT

When I started writing fiction I did not fully understand the concept of conflict. My writing seemed dull and lifeless! I read James N Frey's books on writing and irealised what was missing. It was a eureka moment! A lightbulb flashed on and I finally understood how important conflict was. I was putting a little trouble in my stories but not enough to make readers worry or care about my characters. But when I grasped the concept properly my stories took on a life of their own as I infused them with MUCHO  TROUBLE!

I used to worry that too much conflict was not a good thing. That everyday people never (unless they were really unfortunate!) have to cope with the amount of conflict that there necessarily is in fiction. But then I realised fiction is NOT everyday life. It is made up and for the most part everyday life, for many of us, is pretty boring. Not something a reader wants to invest many hours in – especially if you are a busy kind of person with plenty of other stuff that needs doing. It’s why life stories, I think, are so boring – unless you’re famous or have done something outstanding with your life. And that doesn’t include the day you got involved with a row at your local supermarket!

Anyway, back to conflict. One look at the soaps and how they are written is enough to confirm we are not talking real life really (sorry!) We all know that but it doesn’t stop us watching and enjoying seeing other people tussle with the agonising mess they make. It’s how they cope and overcome their problems that fascinate us. So it is with conflict in novels. You have to make trouble, fling it at them and then make it worse! Finally you throw the kitchen sink at them and almost see them go down and succumb… And then… Then we see them come to terms, rise up and overcome the conflict and obstacles we have created. Ah…. Not so boring, eh?

We have to connect with our characters and see them as real people but the conflict they face does not have to be normal conflict. In fact if we raise the stakes the conflict should escalate to unbearable heights and we are on the edge of our seats wondering how on earth they are going to win through with it all!

So that states my case for more and more conflict to give your stories the life they deserve!

Do you put lots of conflict in your stories? Do you sometimes worry that you are over the top?





Secrets, Lies and Masking Tape...

 

 

S – Secrets 

"We dance around in a ring and suppose but the secret sits in the middle and knows." Robert Frost 1874 - 1963 

The subject of secrets and undisclosed tales is, I find, quite fascinating. The fact that some of us would go to great lengths to discover what someone else’s ‘secret’ is simply says that we hate to be kept in the dark. For there is something about the human psyche that makes people want to make a secret un-secret!

Whenever anyone says something is a secret there is a deep longing- on the part of most of us – to know what that something is. It is an almost irrepressible need to know – even when it is nothing to do with us. I suppose it must be something to do with the nosey nature of human beings… But the fact remains that calling something ‘secret’ gives it an allure all its own.

That is why many stories that centre around hitherto untold ‘secrets’ can be so successful. I once read an article in a writing magazine that stated that if you had the word secret in your title or back cover blurb you would be bound to get more sales! I don’t know if that’s true but I do know that many blurbs are written that hint at secrets waiting to be discovered in a book’s pages.  Readers love a good tale with a ‘secret’ expertly handled and told in a convincing way. And there is nothing more satisfying than finally discovering (often at the end of a good story) what that secret is.

A secret can also be a good tool to use to maintain suspense – especially if it’s hinted at the beginning but not stated – it leads to guessing games on the part of the reader. So if for no other reason the reader must read on to find out if they are right!  Or even when the reader knows the secret but the characters do not.

Secrets can be the main thread of a story or a titillating subplot but whichever way they intrigue and fascinate which is exactly what you need to keep readers turning pages!

Do you use secrets in your stories? Are they the main plot or a sublplot?



Makeover Fiction or Metamorphosis

Fairy tales (and other old stories) recycled.

Ancient stories passed down through the centuries, and especially old fairy tales, fascinate me. They are the bedrock of our modern love affair with fiction of all kinds. The earliest stories were told by hunters who sat around campfires relating their tales of 'daring do' to other tribe members. This would be the evenings' entertainment for them. And the best stories would be repeated by story tellers - and enlarged upon, no doubt.  But spreading a story would obviously all be by word of mouth. So, nothing much changed there, then? It's still the best way of selling fiction... But I digress...

 When we think of fairy tales we think of children and yet some of the most loved stories are actually quite gruesome. For example ‘Little Red Riding Hood’ where a wolf actually eats the child’s grandmother, and Hansel and Gretel where two small children are abandoned in a forest to fend for themselves!

In plotting thrillers, we could occasionally consider some of the storylines used in fairy tales. There is many a suspense/horror story based on the child in peril theme and the early writers of fairy tales were not averse to a little bloodshed either. Many fairy tales are based on the general theme of a quest for something (e.g. Cinderella) and many are also tales of morality and heroic feats that transformed ordinary characters.

If we look even further back in history we can see many morality-type tales whose themes and subject matter have been used and re-used right up to modern day. The notion of the Trojan horse in the city of Troy has been used as a useful plot device in many a spy thriller and the ancient stories of Ovid in the Metamorphosis has given rise to thousands of classical tales including Icarus and Daedalus. Using these stories as inspiration for modern-day thrillers is nothing new and I, myself, used the Ovidian tale of Philomena and Tereus as the basis of a modern day rape and imprisonment story.

So, is it wise to use some of the basic plot devices of fairy stories as the basis for a good thriller? I once read a book, centred on the holocaust, that was basically the Hansel and Gretel story re-done as two children trying to escape the Nazis. It was an excellent thriller full of suspense and nail-biting drama.

As someone once said there are only a few master plots in the world and most novels are variations on a theme anyway, so why not utilise the revered stories of old?

Have you ever re-used the basic plot of a fairy story? Do you think it is a good idea to look to old fiction for inspiration for new fiction?

Dark Drama's?

The Dark - 'All Aboard for a ride to midnight'

I guess there is something so old and primordial about using night-time or darkness to enhance the fear factor in thrillers that it is hardly talked about as tool. Everyone knows that darkness can be a strange or anxious time, right? But is it really that scary? Darkness is, of course, the absence of the sun (light) and without light and heat, human life cannot exist. So darkness is stongly associated with death.

But it strikes me that the dark can be a source of so many fears that in and of itself it could be something to explore in depth in a novel.

Everyone is familiar with the notion that everyday familiar non-threatening things in the day time can take on a strong aura of menace at night. I know this can be attributed to something as simple as not being able to see well, but God ( or whatever you believe created us!) has equipped us with a certain amount of night vision. But there again, maybe it’s the fact that one can see in the dark to a certain extent (especially in good moonlight) but not with full acuity. This allows the imagination  to come into play to fill in the bits our senses are not able to pick up. And no matter how hard you try to neutralise it, the imagination it will have its day!

Many children are fearful of the dark as night-time/sleep-time is a time when they have to cope on their own, without the reassurance of others around them. No small wonder then, that they imagine bogeymen in the wardrobe and things crawling under the bed! 

So it is a well used vehicle in many horror/thriller stories where one wants to create an unsettling fearful atmosphere or simply to enhance the tension and fudge what’s real and what is not. There is always a feeling of relief for the reader when night turns to day and the plot can roll merrily along without the uncertainty of the dark interfering.

Dastardly deeds are also often committed under cover of darkness and it is easy to see how darkness is associated with evil and how day (light) with goodness. All extremely subjective, by the way, but that is how it is generally perceived.

I feel the dark is a very useful tool to use in supernatural, thriller stories and I use it frequently. In fact my latest book has ‘dark’ in its title and I notice that many more thriller/horror stories use the word in their titles too. It signals a certain kind of story to a read, does it not?

What do you think? Do thriller stories set in darkness conjure up feelings of fear and tension in you?

For samples of my novel writing please visit http://www.patricianewcombe.webnode.com/