The Promise of Premise

Writing thriller fiction – the Promise of a Premise

So what exactly is a premise?

Ta Da! I have a dictionary definition to hand…“Logic proposition from which inference is drawn” Mmmm… Are we much the wiser?

The point of the premise in fiction is that it truly is a kind of road map of where the story should go -and where it definitely should not! When I first started writing I did not understand this concept properly and, I must admit, I do still sometimes struggle with defining it for some of my story ideas. But when I get it right it really is as if a cloud clears and my ideas begin to coalesce properly in my mind.

Sticking to my premise makes me keep to the point of the story all the way through instead of veering off at tangents and getting lost. When I wrote my first stories I did not plan - just went with the flow of a good story idea. But before I had gotten very far my story idea started changing as I stumbled upon new and fascinating stuff for my character to get into… I ended up in a hopeless mess with no idea of how to straighten it all out. Then I suddenly remembered the original story idea and realised I had unintentionally abandoned it.  (If you are a ‘seat of your pants’ kind of writer a premise of some kind is, I think, essential.  But maybe you can stay nicely on course without one.)

Anyway then I read a few books and realised that premise was what I was missing. It is not the plot of a story but the main point and leads directly from the main story question to the resolution at the end. James Frey describes it as “A statement of what happens to the characters as a result of the core conflict in the story.” For example: In Dickens’ Christmas Carol the premise would be – ‘looking and learning from past mistakes leads to redemption and forgiveness’ because in the end, of course, Scrooge is a changed character. In my latest book ‘The Afterlife of Darkmares’,  the premise I used was ‘mother love can overcome everything, even ‘other worldly’ threats. ‘

Adding subplots and other characters does not change this central theme of the story because the thread running through and holding it all together is premise which once promised must be delivered on at the end.

This is how I try and stay on track. But maybe you know a better way to keep to the central story line?

Inspirational Eureka Moments

My dictionary tells me’ inspiration’ can be ‘a good idea, creative influence or stimulus’. In terms of writing, that definitely fits the bill! But my idea of inspiration is not a flash of insight or a good idea but moments when my dear friend, Mary Muse is sitting on my shoulder.

My friend Mary calls at some odd times and sometimes when I desperately need her, she doesn’t visit at all! But all is not lost, as almost always when I need inspiration, Mary comes calling eventually.

I believe inspiration is actually the end product of lots of subconscious thinking. And although inspiration can suddenly arrive – almost a ‘eureka moment’ – I often realise belatedly, that my brain was working on the problem all the time – albeit in the background. It is moments like these that make me persevere when I have a problem with my plot or the mechanics of writing seem to be going nowhere. It is what makes me come alive and sparkle with enthusiasm at some new idea that has abruptly come to me. It restores my faith that I knew what I was doing all the time (even when, in my heart of hearts, I knew that was not the case).

A frequent quote I have come across a few times in the blogosphere is “all who wander are not lost” and whilst I cannot recall where this comes from, I do know it is certainly true of my own writing. Sometimes I do seem to wander all over the place and even get totally off course with my story but there is always a way to salvage things and that is when my muse is most often helpful as it may even suggest a new direction or a new story line which makes the tale much better and enables me to feel inspired and filled with renewed passion for my writing.

It was just such an inspirational moment when it occurred to me to put two ideas I had been considering for a story, together and tie a known historical event - the plague in 1665 - in to a contemporary story of mother love and murder. The result was  The Afterlife of Darkmares  - my latest offering...

Does your muse visit you at crucial times? Does inspiration come easily to you?