Ready Made Flaws - Phobias

“There is nothing to fear if you refuse to be afraid.” Ghandi

One of the most useful plot devices I’ve found is to give a character a phobia. It doesn’t have to be a major phobia – although many premises have used the more common phobias such as agoraphobia, (fear of open spaces) claustrophobia (fear of closed spaces) or arachnophobia ( fear of spider.

Everyone knows and understands that a phobia is simply an irrational fear of something but when applied successfully to a character, it can lift that person right off the page and make them seem so real and relatable and gives them a ready-made flaw.  Sympathy is easily engaged – as most of us have some irrational fears at some point.

That is not to say we are all irrational – but depending on circumstances, we all have the ability to act irrational under extreme duress. If the phobia is something that a main character is struggling against then that makes it all the more desirable as readers will root for the character and want them to win that battle as well as succeed in the main story goal.

Phobias also give the writer the opportunity to twist and turn with the plot and have largely unexpected outcomes. In my first book, my main character had a phobia of mist, steam, fog etc. Mainly stemming from the fact that she was scared what the mist could be hiding… I had great fun with that one!

Although we talk about irrational fears, they are not really irrational to the sufferer - only to other people who look on. Phobias do not just pop up from anywhere. They are generally rooted in a character’s past. Sometimes so deeply hidden that the person has little insight as to where it came from in the first place. But dig a little and it will come to light. For instance my protagonist (as a very young child) in my first book "Insight" had discovered her mother dead in a steam filled bathroom – hence her abiding fear. But she barely remembered the incident as being in a steam filled room as she had been so traumatised by discovering her dead mother that she had suppressed the memory.

So, phobias – big and small - can definitely add spice to your story and even help to bring your characters to life on the page.

Have you ever thought about using a phobia in your stories? 

Terrible Trouble

Hubble Bubble Toil and Trouble

I suppose we love to see our hero/heroines in terrible trouble so we can admire how they ultimately get out of terrible trouble. It’s what all good fiction is about, whether it be romance, horror, mystery or whatever.

The problem presents itself early on and usually the concerns and worries pile on as the story progresses.  But the thing that fascinates all readers is asking the questions of ‘how are they going to get through this or cope with that?’ This is where story gets to us because we put ourselves in their places and worry if we would do the same thing.  We root for them to succeed in their endeavours because if they can cope then so would we.  If it’s a good story, we identify with the character and we want them to succeed against all the odds. It confirms something to us about human nature and the will to survive, I think.  And when at the end they do rise up and overcome their terrible trouble we cheer for them.

As writers it is our job to create that terrible trouble and then throughout the middle of the story make the terrible trouble even more terrible until finally the hero has to step up to the mark in some way, deal with the terrible trouble and be heroic to save the day! Hooray!

 

So, do you find it easy to pile on the woe for your charcters?

Cliff Hanger Promises...

One of the first things I tried to conquer when I started writing thrillers was the art of cliff-hangers. I tried my hardest to get my hero/heroine into terrible difficulty and then leave then… well, hanging!

But I often rebelled about doing it as it didn’t always fit the story. Then I realised that you simply had to lead the reader with the promise that something was going to happen and then delay the actual happening. The page turning suspense that this caused was the answer, I thought. So I practised it fervently.  Scene cuts also helped – i.e. moving to a different time, place or character and then coming back to the present dilemma later in the story.

The only problem was that sometimes it still felt like a kind of breathless ride where no one gets time to reflect properly or for the reader to drop down the tension.  Even the most hair-raising ride can seem tame if someone gets too used to it.

It wasn’t until I understood the art of using scenes that I realised I didn’t have to go over the top. Scenes with character, conflict, conclusion/disaster made a lot of sense to me and once I realised that the character must have a want/ objective at the beginning  and that objective should not only be unmet by the end, but the character must be worse off, then I began to see that here was the natural cliff-hanger. The character now has an even greater obstacle to overcome. How will he cope? What will he do? The reader, hopefully, worries for the character and that will keep him turning the pages just as if it is a cliff-hanger.

“We throw in as many fresh words as we can get away with. Simple, short sentences don't always work. You have to do tricks with pacing, alternate long sentences with short, to keep it alive and vital. Virtually every page is a cliff-hanger—you've got to force them to turn it.”
― Dr. Seuss

 

So do you try to put a 'will he won't he' question at the end of every scene? Or do you save cliff hangers for chapter ends or even for every page?

Seeing is Believing

In supernatural thrillers and horror stories one of the parapsychologies will usually figure somewhere along the way.  Clairvoyance is one of these. The dictionary says clairvoyance is ‘the ability to perceive things that are usually beyond the range of normal human senses’.  But I think many people associate it with the power to ‘see’ into the future.  (My current WIP features this a little so I must confess I am rather fond of it!)

Second sight or ESP is one of these ethereal subjects and it can be a particularly helpful plot device; remembering, of course, that we are talking about fiction and a willingness on the part of a reader to suspend disbelief.

The idea of being able to ‘see’ (or sense) something that is not within the bounds of normal is not a new one. It has been used from the early beginnings of the written word and tales from the classics and mythology are steeped in them.

The main areas of second sight seem to be Remote Viewing, where a person can ‘see’ something that is happening a long way away, Precognition, where a person can ‘see’ and foretell something that is about to happen, and Visions where a person simply ‘sees’ something (it may only be a flash image) but has no idea if it’s from the future, past or present.

Telepathy, premonition and telekinesis are also closely related to second sight.

Of course the scientific community does not accept any of this stuff as it requires proof that is just not available. The various researchers into the area are of the view that most of it is fraud, self-delusion and guesswork. But that doesn’t stop the believers and it certainly doesn’t stop the notion of second sight being fertile grounds for the imagination in fiction writing.

One does not have to believe these things to enjoy a good story that uses any these ideas. If you asked the population in general how many believed in the paranormal you would get a much lower number than those who read the fiction books and watch the films. This is what suspension of disbelief is all about; in that, just for the period that you are immersed in a good story, you are willing to step into a universe where all things are possible. This is the nub of all good plots and fiction in general. How else would we enjoy Harry Potter and The Lord of the Rings?

The other interesting thing for me is that if you have one character who believes in the paranormal and one that doesn’t then that sets the story up for even more conflict and tension, quite naturally without having to work at it.

What do you think? If you make a world ‘real’ enough for the reader, can you suspend disbelief?

From Backyard to Graveyard

A Grave Matter...

The subject of graveyards or cemeteries is something that fascinates me. As a writer of supernatural thriller novels the sombre oppressive atmosphere of a graveyard, imbued with such reverence and awe as befits the dead, is a great place to start. Its melancholy sense of past misery seems to hang in the air like some unholy miasma as legions of the living have cried rivers of tears in their intense grief and loneliness. What a sad place for the living…

Death is inevitable for all of us and in a graveyard we are reminded of the frailty of human existence like nowhere else. The fascination for me, when I visit graveyards, is to look at the oldest graves and inscriptions and wonder what happened to the person… Sometimes great ideas for stories spring forward from this as I try to imagine what life might have been like for the said dead person.

But apart from that there is the great unknowing… What does happen when we finally confront our very existence? Scary stuff, indeed, for most of us… Unless you have great faith in your own brand of religion/belief… Most of us do not want to be reminded that we are going to pass into the great unknown someday. Perhaps that is really the scary part about graveyards and cemeteries.

But spirits, ghosts and things that go thump in the night are also great things to think about in graveyards…



So let your imagination fly!! If you dare…

Do graveyards/cemetaries scare you or are they just places of great sadness?

The Promise of Premise

Writing thriller fiction – the Promise of a Premise

So what exactly is a premise?

Ta Da! I have a dictionary definition to hand…“Logic proposition from which inference is drawn” Mmmm… Are we much the wiser?

The point of the premise in fiction is that it truly is a kind of road map of where the story should go -and where it definitely should not! When I first started writing I did not understand this concept properly and, I must admit, I do still sometimes struggle with defining it for some of my story ideas. But when I get it right it really is as if a cloud clears and my ideas begin to coalesce properly in my mind.

Sticking to my premise makes me keep to the point of the story all the way through instead of veering off at tangents and getting lost. When I wrote my first stories I did not plan - just went with the flow of a good story idea. But before I had gotten very far my story idea started changing as I stumbled upon new and fascinating stuff for my character to get into… I ended up in a hopeless mess with no idea of how to straighten it all out. Then I suddenly remembered the original story idea and realised I had unintentionally abandoned it.  (If you are a ‘seat of your pants’ kind of writer a premise of some kind is, I think, essential.  But maybe you can stay nicely on course without one.)

Anyway then I read a few books and realised that premise was what I was missing. It is not the plot of a story but the main point and leads directly from the main story question to the resolution at the end. James Frey describes it as “A statement of what happens to the characters as a result of the core conflict in the story.” For example: In Dickens’ Christmas Carol the premise would be – ‘looking and learning from past mistakes leads to redemption and forgiveness’ because in the end, of course, Scrooge is a changed character. In my latest book ‘The Afterlife of Darkmares’,  the premise I used was ‘mother love can overcome everything, even ‘other worldly’ threats. ‘

Adding subplots and other characters does not change this central theme of the story because the thread running through and holding it all together is premise which once promised must be delivered on at the end.

This is how I try and stay on track. But maybe you know a better way to keep to the central story line?

'The Witcheye Gene' - Thrillers and Auras

 Writing Thrillers and using Auras

When I was writing my second book ( The Witcheye Gene) I thought it would be interesting to use the paranormal-type phenomenon of auras. I was quite surprised when my research turned up the fact that it was not strictly true that it is entirely a paranormal/supernatural occurrence. My dictionary defines an aura as “an atmosphere or quality of air considered as indicative of a person or thing” but I think that meaning is not quite the same thing. After all, I think we can all recognise that an angry person can exude a certain aggressive-kind of vibe. This person could be said to have an aura about them.

The other meaning of auras is to forewarn of impending epileptic attacks or migraines etc. They indicate the brain is signalling to the sufferer that it is about to happen. These auras can take different forms such as certain smells, sounds or tastes that are experienced by the individual. So an aura in this case can be an important early warning system.

But the kind of aura I am talking about in supernatural thriller writing is the kind of aura where a person is said to have a luminous radiation of light or energy around them that can actually be seen by people who have special powers. There is lots of controversy about this phenomenon but in the land of the paranormal it is exactly the kind of thing that adds flavour and mysticism to a story. And allows a great deal of license in designing credible plot line… I think I used it to good effect when my character – who had a measure of supernatural power – could seea very dark aura around a character.

There are said to be 7 layers to an aura with each layer relating to different human characteristics, and each layer has different colours and different frequencies. So the light wavers and changes colour. Attributing characteristics or using the aura to highlight true motivation is also a useful plot device. For instance an aura could be red signifying suppressed anger or blue signalling calm and rationality. It could be orange for health and vitality or yellow for inspiration and intelligence. Black, of course, would be about evil intention or death… These are simply suggestions but I’m sure you can see how it could be used for good effect. Or maybe not…

In real terms, it seems that we all have an aura – even worms and insects have them – for they are simply magnetic energy fields. It’s just that most people cannot see these fields with the naked eye. Makes for juicy story lines, though… Don’t you think?

 

The Devil of it is...

"Beauty is mysterious as well as terrible. God and devil are fighting there, and the battlefield is the heart of man."

Fyodor Dostoevsky

In the Manichean struggle the Devil is the ultimate villain. No small wonder then that many supernatural stories feature this deity as a consummate character. Whether you believe in the existence of a god or his opposite, most people are fascinated by the idea of a being who has all the most undesirable characteristics of human frailty. In many cultures that being is the Devil.

The Devil (or Satan), in Christian culture is always supposedly the fallen angel, Lucifer. But according to the bible the devil has many names (including Amadeus and Mephistopheles) and all associated with much evil doing. “What is thy name? My name is Legion, for we are many.” Mark 5:9

‘The Satan’ first appears in the bible as a messenger sent by God. He was used as a catalyst in the story of Job where he acted as a tempter and accuser. In the story of Adam and Eve he is described as a ‘powerful wicked angel’ who led the plot against humankind by tempting Eve. For this act God threw him and his henchmen out of heaven and thus he became known as 'the Devil who rules the kingdom of darkness and subsumes all evil powers'. He tempts people to evil doings and is also known as ‘The Great Deceptor’ for appearing disguised as an angel of light.

 Despite the murky origins of this so-called fallen angel we do also find the devil appearing in other religions too (in Islam he is known as Shaitan). Whatever the truth (or your own beliefs), everyone understands the significance of good versus evil and the Devil (Satan or whatever) has come to be known as the personification of evil in this world.

So, what a fabulous plot device to use in a story? The ultimate antagonist. And because none of the origins or the stories around the entity can be verified you can use him howsoever you wish! Such brilliant fodder for creating conflict and suspense… And a great adversary for the hero/heroine of a supernatural thriller story…

Have you used the Devil in your stories? Do you think it is still acceptable in this day and age of technology to use an ancient deity?

 

Premonitions - To See or Not To See?

Premonitions may be quite useful in thriller writing – they can and do indicate future events (often going horribly wrong) and they can be arbiters of death, dying or even some cataclysmic world-wide happenings.

Premonitions fascinate us because our understanding of how things can be foretold (or foreseen) without the aid of the usual human senses does not lie within the normal limits of our innate abilities. How can a person look into the future and – some would say - why would a person want to look into the future?

Through the ages, from time immemorial, there are countless instances and stories about premonitions and seeing future events that could not possibly have been foreseen. Or so it seems…I think most of us would agree that there are stories where we are stumped for answers and a quick straw poll of any largish group of people would, I am sure, come up with one or two stories that defy the laws of existence. And it all adds to the mystery…

One of the most famous people who claimed to foresee the future was, of course, Nostradamus. His writings and prophecies are with us still today – 500 years later. When I looked up his work and his life I found the following:

“Recent research suggests that much of Nostradamus’ prophetic work paraphrases collections of ancient ‘end of the world’ prophecies (mainly Bible-based), supplemented with references to historical events and anthologies of omen reports. He then projects those into the future in part with the aid of comparative horoscopy. Hence the many predictions involving ancient figures such as Sulla, Gaius Marius, and Nero, as well as his descriptions of "battles in the clouds" and "frogs falling from the sky."

But even when all the charlatans are taken out of the equations we still remain fascinated with the idea that some people can predict the future and some ordinary people can have ‘once in a lifetime’ premonitions ( especially about a loved one).

In my own writing (The Witcheye Gene) I used the concept for one of my characters but the visions only came about because of a particular familial characteristic of different colored eyes. And it was quite limited otherwise it can seem contrived and in the worst way seem like a ‘deus ex machina’ . But I did find it quite fascinating to research and include it in my plot. It actually ratcheted up the tension when one person could foresee something but no one else believed them.

 

Do you beleive some people can 'see' the future in some form or another? Have you ever used the idea in your own writing?

 



Vile Villains with Redeemable Flaws!

To say a villain in a thriller story is flawed is like saying coal is black!

Of course a villain is flawed, I hear you say, otherwise he would make a pretty poor antagonist. A “good” villain has a personality that most of us would not aspire to as he may be capable of the most dastardly (I just love that word!) acts. I am, however, talking about a villain who may be flawed because he/she has some decent human traits that show us he isn’t totally bad. The only villain who could be said to be totally bad is the devil himself, I guess. Most others started out as innocent babies and children but maybe something happened to make them bad. Or maybe not – maybe they simply have more of the undesirable human traits in their genetic make-up. Nasty traits do exist to some extent in all of us, but hopefully most people have control of those urges and anyway have more humanity and caring for fellow humans. 

How villainous a character is depends mostly on the type of story you are writing. If the villain is a love rival or a corporate executive he may not be so nasty in all areas of his life… But on the other hand, if he/she is a horror/supernatural villain, he may have no redeeming features at all. For example a bad character may be wicked and malicious to people but may love animals! In this way he is a flawed character and not true to the caricature of through and through evil which we may assume him to be. 

 Always, when using villains, a suitable adversary/hero is necessary and it is the juxtaposition of their characters that allow the most conflict and tension in a story.  The hero who has faults is a much more interesting character than the perfect boring type of individual. I think we can relate better to him because he is flawed – as we all are too. Similarly, we all know people who we consider to be horrible individuals but we know (maybe deep down) they will have some redeeming characteristics too.  

For me, giving my villains one redeeming human trait, amongst all the vicious, nasty ones, makes them much more interesting ( and indeed fun) and if their malevolent ways came about because of something that happened to them – well, it just makes them all the more intriguing. Not nice and not worth rooting for but maybe a little more human. And more importantly more believable…

Do you give your villains a small touch of the nice-ies?

 

Creepy Crawly Jiggery Pokery

The Unfashionable Flavour of the Occult

Nowadays Occultism ( the study of the supernatural)  is a subject that is rarely seriously discussed. The horror genre has moved on - in the sense that much of the horror story telling today is set in everyday life - and the tales tend to express the fear of the unknown in ways that many of us can relate to.

The word Occult is described in the dictionary as ‘secret, mysterious and supernatural’.  A meaning that signifies to many the ‘practise of the Black Arts’. That, in itself, is a term that has fallen out of fashion nowadays.

Many believe in the power of good and evil and the eternal struggle between these two extremes of our human condition but the Devil himself and the pseudo-science of demonology have long since fallen by the wayside for most people. We no longer live in the superstitious dark ages of magic, mayhem and witchcraft.

However that does not mean that many of the paranormal aspects of the occult have disappeared. Indeed, they are alive and well in many good stories today.  For example vampires, monsters and other worldly beings are in full flavour at the minute. 

For me the use of ordinary people - rather than devilish, vampiric, evil monster/villains -  gives a much greater feel of horror. After all it could be me or you trapped in a modern horror story… (A La Mr King).

But the Occult is still very useful in a modern horror story, as there are lots of subtopics within it. The influences of things like astrology, ESP,  numerology, clairvoyance, telepathy, telemetry, premonitions, doppelgangers and hypnotism – to name but a few – are still with us and can be used to good effect in a good thriller/supernatural story. Everyone knows what these things mean even if they don’t believe in them.  But…. Haha, you say… You just never know…

That, I believe, is their power. As Shakespeare said in Hamlet:

“There are more things in heaven and earth, Horatio,
Than are dreamt of in your philosophy.”

Do you enjoy a story with some supernatural-type elements in it?

 

Learn From the Best

Lessons from the Masters

Every now and then I am reminded why I love reading so much and why I still aspire to being a better writer than I am!

One of my all time favourite horror writers is Stephen King and I am sure there is not a single person who loves books who has not at least heard of him.  Dennis Wheatly before him and then Mr. King were the two authors (in my misspent youth) responsible for my fascination with tales of the supernatural and paranormal. Later I also became a huge fan of many of Dean Koontz’s books too. Ah, but that was when I was younger and more impressionable…

No, wait, I am still impressionable if the right kind of story comes along!

The reason I am reminiscing about my early sojourns with Stephen King and horror writing is that I recently read his latest offering. And what a delight it is too. I have to admit that one or two of his books over the last few years have been rather too rambling for me and did wonder if this would be the same. But, no – this is King at his best! The main thing for me is the absolute attention to detail and the quirky bits of imagery that transport the reader back to an age that has long since gone. I was around in the late fifties and sixties but only as a child so the detail has me totally hooked.  For those not familiar with this book it is all about time travel and changing the course of history. Fascinating stuff, anyway, but Mr King handles it so well… But then he would – he has many years of successful writing under his belt and the largest number of best sellers so he should know what he is talking about.

I am just about to decamp to one of Mr Koontz' books too - not visited his stories for some time. So I will see how or if he has changed. One thing I do know, he is still one of the biggest sellers of the genre so still has much to say to someone like me...

I only wish I could write the same!!

Oh well, onwards and upwards!

Who do you aspire to as a writer?

The Ticking Clock of Timely Thrillers

The ticking clock is a plot device that I love to use when outlining my novels. Not every time, I must admit but if it lends itself to the plot why not use it?

For one thing it gives urgency to a thriller plot line that adds to the suspense for the reader. For another it is quite a useful aid for the writer too as it can provide a kind of framework which helps to keep the plot on target. Thirdly for me it is quite exciting and indeed, fun to do…

There are as many different ways of adding the time element to a story as there are for actually writing the story. The time element may mean that a future event is driving the story line and readers know the story is heading there. But, most importantly, they will not know the twists and turns of the plot along the way and it ma7y be that there are penalties that are time linked. For instance, the use of the ‘what if’ element as in ‘what if a protagonist doesn’t get to the scene on time?’ or what if he can beat the odds and rescue something before….whatever hyappens.

Another way I have used the timeline is delineating chapters and passages to show that one plot action is happening at the same time as something else.  I find the use of switching from point of view helpful in using this one.

I think it is very important to keep mentioning time if it is a plot device in the story. It subliminally reminds the reader that time is important and the ticking clock is a great way to raise the stakes and keep suspense going page by page. In my own writing I try to use shorter sentences and paragraphs to try to keep the sense of urgency and as the story reaches towards the climax, it should be mostly action and little information giving, meandering or asides.  Short sharp plot points resolved as time tacks relentlessly by.

I guess, in its broadest sense, it is the pace of a story that counts but that does not always mean it should be at breakneck speed – just the pace to suit the timeline.

Do you work time elements into your stories?

Monday Bloglights and Exciting News

News, Views and Reviews and Bloglights Spotlights too!

I was so surprised and delighted this morning to recieve a nomination in my email for this blog award! Yay!

I quote some of the wording of the email below:

"An article you wrote in 2012 titled ABC of Thriller Writing... has earned your blog a nomination for a Fascination Award: 2012's Most Fascinating Creative Writing Teacher blog.

The comments posted in response to your post prove that your content not only inspires your audience, but it also creates discussion around your posts, both of which are requirements for the nomination of a Fascination award."

Now isn't that just great?? It is indeed, an honour to be nominated. It's certainly boosted my monday mroning! What a lovely surprise. Whoooooo....

So everyone please go vote for me on or after 23rd  JULY!

On to other stuff...

I have had a pretty busy week socialising as I’ve had visitors  to stay with us ( actually my mum) so we’ve been out and about quite a bit and, of course eating and drinking out rather more than usual! Well, that’s my excuse, anyway for not sticking to the diet!

However,  I have managed to increase promo stuff for my book “The Afterlife of Darkmares” . It is available on Amazon – both as a paperback and kindle e- book.  The Afterlife of Darkmares  Do buy!!! I am a bit desperate for one or two reviews too so if anyone has read it, do let me know what you think. All comments very welcome – whether good or bad… 

Anyway it’s back to normal routine next week… sigh… I will miss the wine and cream cake though!

So here goes for this week's Bloglight Spotlight tour:

Ta ta ta ta da da Da! ( fanfare!!)

In the Bloglights this week are:

Firstly author Stephen Tremp

Stephen’s blog is full of fascinating other-worldly items. He is an accomplished writer of scifi thrillers and I love visiting his blogs as he makes me think about our world and the way we live. He is also quite witty and often makes me smile. He is (in his words) ‘One of a kind’ of thriller writer.

Next is em-musing ( Leigh Caron)

Leigh says her blog is ‘one woman’s slant on life and writing’ and it is certainly full of humour and wit. Em-musing is a very different blog written in a poetic way. I love her style – she says it like it is but her posts are never long and boring. Leigh writes with great style and in my opinion she is well worth a visit.

Thirdly Carolyn Arnold

Carolyn is another mystery, thriller, suspense writer who has several published books to her name. Her blog focuses mainly on the business and mechanics of writing and she contributes to other blogs too. I enjoy reading Carolyn’s blog as it is interesting, insightful and informative.

Lastly E.D. Of (Not) just another writer E. D.

E.D is a ‘wanna be’ author who writes great opinion-style posts. Again they are short and to the point, mostly about writing, but I love her straightforward approach. Her blog is well set out and easy to navigate and very easy to read.

So there we have it – four more great blogs for you to try out.  ENJOY!!!

Have you ever received an unexpected nice surprise in monday morning email?

Supernatural or Superbelievable

 Making the Supernatural Natural.

Today I am re-posting a blog article I wrote some time ago! I enjoyed writing this one and thought it deserved another outing...

Turning the supernatural into the superbelievable? That, as I see it, is the challenge to all paranormal thriller writers.

Making supernatural elements fit into a thriller story so seamlessly that the reader accepts them without question, is not easy.

After all the vast majority of readers who enjoy this kind of fiction are perfectly reasonable sane individuals who do not necessarily believe in ghosts, spirits and things that go ‘whooo’ in the night. But just like sci-fi readers, they want to wonder and ponder the unanswerable questions. Just for the time it takes to engage with the story readers will willingly believe if we give them a good reason to.

That’s not to say that once the book is read the reader will believe any of it but just for that book the reader suspends disbelief. This, of course must happen with all stories but it is so much more difficult when dealing with the paranormal.

Of course making the world the characters inhabit detailed and colourful and having the characters themselves rich in human traits and emotions (even if they are spirits or whatever) helps. If the people in the story believe in the other-worldly elements and do so right from the beginning as a matter of course, then the reader will too. Events follow in a normal and accepted way and lo! - the supernatural becomes the natural for that story.

For me the furthest I will go into using the supernatural is to introduce elements of ‘what if’ into a story. What if someone’s soul/spirit does not die with them but carries on in someone else’s body? What if a spirit wilfully inhabits someone else’s body and makes them do things they would never normally do? What if someone has the power to read certain people’s minds? What if this power is hereditary and a child is unaware they have it? What if someone believes that if they preserve a person’s body after death they will gain power over life and death and eventually become immortal themselves? What if a person really does have a double and the double/doppelganger bends the person’s will to make them murder their own child?

I know, I know. All of these have been done before but not by me and my imagination. I had fun with these stories and will continue to use similar scenarios in my writing. But apart from the paranormal additions my plots have conflict, suspense and follow normal storytelling rules and my imagination, with the help of my muse, adds width, depth and a sprinkling of magic – at least I hope it does…

Happy Writing!

So what do you think? Do you have a favourite genre? Do you read paranormal thrillers?

Explosions All Over the place!

Explosive novels  

I have often wondered what an ‘explosive story’ actually means when I have read it in a book review.  It may just be a term to catch a reader’s attention; it may mean it actually does have explosions in it!  Or it could simply mean a story is sensational.

But I have come to the conclusion that most mean it to imply that something startling or shocking happens in a story. It could also suggest some kind of expose (especially if it is a ‘true-life’ type story. Whatever the true meaning the term does have an ear catching ring to it and for those looking for a roller coaster thriller-type read, it meets the criteria for that kind of story.  

However, I have sometimes found that it is disappointingly naïve to rely on these kinds of descriptions as the promise is not always delivered on.   But there again if it gets people to look at your story perhaps it is worth talking it up…

For me an ‘explosive story’ is one where the unexpected happens in a startlingly abrupt way. Sometimes, it is just such an action which turns a mundane story into an electrifying one. In other words a shocking, surprising development can make your story ‘explode into life’ and carry an impetus which will keep a reader gripped to the very end. Now that is a satisfyingly ‘explosive novel’!

Do you use the unexpected to make your story explosive?

A Flipping Good Day

Today is a good day because I am back in beautiful Lanzarote - AND today I have my PC back and it's all mended. I have been struggling with it for a while but I have now had a new motherboard??? And it works fine so it's full steam ahead for all my writing and blogging etc.

Today is also a good day because my latest novel  The Afterlife of Darkmares is now out in paperback form on amazon.co.uk as well as on kindle. Yay!!

And to cap it off today is also 'bloglights' day. Yay again! ( I'm getting rather good at cheering...)
For the uniniated this is a new feature I am trying out where I highlight a few other good blogs I have visited which I think are worth a visit.

So here goes:

First up is Bea Sempere (aka Denise Baer). Her blog Skipping Stone Memories is a favourite of mine. She posts some thought provoking observations on life and writing and she has some fabulous quirky pics too.

Next is Annalisa Crawford. Some great posts and she often has guest interviews too. She is also a member of the Insecure Writers Group (IWSG) and I belive all are invited to join.

Another interesting blog is Maria Zannini who writes paranormal historicals and mythological - type stories. Her blog is often full of contests and give aways. She can be found at lots of places on the web but her blog is well worth a visit.

Last ( but not least) is Frances Garrood whose blog aften brings a smile to my face. I just love that her posts are relatively short and so easy to read. She has an amusing outloook on life and her comments are to the point and often quite funny. Just the thing for a moody monday morning...

So there we have it - just a few of the blogs I enjoy. Do visit if you can.

Do you think this kind of promotion is worthwhile?

Empathy

EMPATHY

The great gift of human beings is that we have the power of empathy.
Meryl Streep

One of the main faults I had when I first started writing thrillers was that I did not understand the power of empathy. Oh, I knew what empathy was – after all I had spent many years of my previous life as a nurse! But in writing terms I never quite understood it’s power to connect with readers.

With my first efforts, I focused on multi-layered plot making it as full of chills and frights as I could. I made my main character a bit of a bitch and apart from overcoming the threat to her and her family I never made her particularly likeable. After this criticism of my story came from more than a few quarters, I looked afresh at other stories, comparing them to my own and realised they were right. Mostly main characters should be likeable even if they do some not so good things.

None of us know how we’d react if we were put in a life or death situation or were faced by a dreadful choice but we can’t help but wonder how we’d cope and that emotion – empathy - is the engine of all good fiction, not just thrillers. Of course it does mean that the heroine/hero characters must be likeable so we can root for them to succeed. Even superheroes and star trek characters have to have some human frailties for us to feel for them.

Thrillers may be fast paced, exciting reads but they still need to conform to basic story telling rules and the main characters need to connect with us, the readers.

Do you give your characters human faults that readers can relate to.

Life Blood for fiction - Conflict

                                   CONFLICT

When I started writing fiction I did not fully understand the concept of conflict. My writing seemed dull and lifeless! I read James N Frey's books on writing and irealised what was missing. It was a eureka moment! A lightbulb flashed on and I finally understood how important conflict was. I was putting a little trouble in my stories but not enough to make readers worry or care about my characters. But when I grasped the concept properly my stories took on a life of their own as I infused them with MUCHO  TROUBLE!

I used to worry that too much conflict was not a good thing. That everyday people never (unless they were really unfortunate!) have to cope with the amount of conflict that there necessarily is in fiction. But then I realised fiction is NOT everyday life. It is made up and for the most part everyday life, for many of us, is pretty boring. Not something a reader wants to invest many hours in – especially if you are a busy kind of person with plenty of other stuff that needs doing. It’s why life stories, I think, are so boring – unless you’re famous or have done something outstanding with your life. And that doesn’t include the day you got involved with a row at your local supermarket!

Anyway, back to conflict. One look at the soaps and how they are written is enough to confirm we are not talking real life really (sorry!) We all know that but it doesn’t stop us watching and enjoying seeing other people tussle with the agonising mess they make. It’s how they cope and overcome their problems that fascinate us. So it is with conflict in novels. You have to make trouble, fling it at them and then make it worse! Finally you throw the kitchen sink at them and almost see them go down and succumb… And then… Then we see them come to terms, rise up and overcome the conflict and obstacles we have created. Ah…. Not so boring, eh?

We have to connect with our characters and see them as real people but the conflict they face does not have to be normal conflict. In fact if we raise the stakes the conflict should escalate to unbearable heights and we are on the edge of our seats wondering how on earth they are going to win through with it all!

So that states my case for more and more conflict to give your stories the life they deserve!

Do you put lots of conflict in your stories? Do you sometimes worry that you are over the top?





Mirrror, mirror...

Mirror, mirror on the Wall…

Mirrors have always fascinated me a little for there is often a discrepancy between what I think I am/look like and what I see in the mirror. It’s a little like hearing your own voice recorded and swearing that you don’t really sound like that – do you???

But I digress. Back to mirrors.

I actually used mirrors as a horror element in my first full novel “Insight”. I was in the bathroom one day and looked up to see the mirror so clouded with steam that you couldn’t see anything clearly and I started imagining a creature was in the mirror. Yes, I know I do have a peculiar mindset… But anyway it gave me the idea of using a mirror for a ghostly experience. I also realised that you could write with a greasy-ish finger on a mirror and it could not be seen but as soon as it became steamed up the writing appeared. Oh, I had fun with that book! Water and mist eventually became a major motif for the story as the character had a kind of phobia about water anyway. The possibilities really opened up then as the fear went right back to her childhood and… Well you’d have to read the book to know the rest! No spoilers on here…

But it did make me realise you could take something quite mundane and turn it into something – well, a lot less mundane!

Have you ever thought of using ordinary household items and turning them into fearful phobic elements in a thriller story?