Big Bold and Whacky

A Perfect Hero?

In deciding on a /hero/protagonist in my thriller writing, I always try to go for a character who seems to be larger than life; in other words a memorable character. Whether I succeed or not is, of course, up to the reader but I do think long and hard about what he or she is - as a person.

The most memorable characters in classic literature are usually big, bold and maybe a little whacky. They are generally beset by inner conflict and most certainly have to deal with outward conflict/tension as befits the story.  The hero is striving for something: He either desperately needs something or must accomplish something to save others. But he is thwarted by the antagonist (evil one) along the way. This may make certain character traits more inevitable than others. For example a willingness to persevere despite all the odds is often a trait that many story hero’s share. So that their persistence eventually pays off at the end of the story.

But I think it goes much deeper than that. If a character has a certain trait it must be believable and come from somewhere in their past. This is where I find doing background stories so fascinating.

For example, a hero may be dogged because he learnt early in life that staying the course pays off. Maybe his father was a patient fisherman and taught him likewise. Or he may have had to stand up to bullies over and over again in defence of a mild-mannered friend. All similar incidences go into my background memoire of the character and some may even end up in the story.

I try to make my hero/character imperfect, faulty and with some human frailties as well as admirable traits that my reader can root for.  In this way I can make the transformation at the end of the story, much more realistic. I think this enables the reader to identify with and empathise with the main character. After all no one is perfect.

So how do you decide what kind of person your main character will be? Do you do background stories or wing it as you go along?

For samples of my fiction please visit http://www.patricianewcombe.webnode.com/

Or see my latest thriller novel:

My book 'The Witcheye Gene' now available on Kindle at £2.99

High Stakes & Potent Plotting

Step into my World? 

Intrigue and Supense - Chiller Plotting?

All the steps in creating a plausible plot in thriller writing (in my opinion- but feel free to disagree!) must come from the premise of an antagonist (villain) wanting one thing and a protagonist (hero) wanting the direct opposite. This, I believe, creates the basic conflict that will drive the story to its final climactic end. Layered in and around this conflict may be more subplots and story lines that enrich the central story. In other words the story is multi-layered and thick with intrigue and suspense. As far as I can see, all the really good thrillers of recent times seem to be written this way. And it is this potent mixture of forces set one against the other that is the engine behind a rollicking good story.

The stakes in a thriller must also be very high so that menace and threat are around every corner. Of course, the greatest threat (and the one many successful stories have thrived on) is world domination or a catastrophic event that threatens the entire world. For example ‘War of the Worlds’, ‘Alien’ and various James Bond’s epics. The plotting for a novel like this may start fairly worryingly but then the plot (or story arc) should rise to epic proportions and stakes go higher and higher as more danger and conflict is piled on and more people realise the gravity of the situation. A frantic race against time is also often used as a plot device to ratchet up the tension and create even higher drama.

But it doesn’t always have to be about threats to the entire world - it may simply be threats to a main character’s nearest and dearest. And in this case the best way to raise the stakes is for the reader to strongly identify with the characters in peril and so worry for their safety. Every thriller plot cannot be all about action. Suspense, good character development and rising tension can do the job of raising stakes equally well in even the most urban of thrillers. And engendering empathy is integral to the plot too.

In my writing, when I have a basic premise for a novel, I set about developing strong characters with a full back story and personal history that makes them the person they are in the story. The Protagonist and the Antagonist are compared side by side to ensure they will clash and want opposite things and that then sets the story in motion, I hope... I start to design the scenes with conflict and tension and maybe add subplots (which will eventually tie into the story line) to create more obstacles for the protagonist - many will come from the antagonist, of course - that he/she will need to overcome to succeed in their quests.

I try to see the story outline as a whole graph of rising problems which get ever worse until the final climactic scene. Then it is all downhill to the resolution and, hopefully, satisfying ending.

This is just a quick snapshot of how I go about plotting. But how do you do it? Do you do something similar or maybe not plan at all?