So what exactly is a premise?
Ta Da! I have a
dictionary definition to hand…“Logic proposition from which inference is drawn”
Mmmm… Are we much the wiser?
The point of the premise
in fiction is that it truly is a kind of road map of where the story should go
-and where it definitely should not! When I first started writing I did not
understand this concept properly and, I must admit, I do still sometimes struggle
with defining it for some of my story ideas. But when I get it right it really
is as if a cloud clears and my ideas begin to coalesce properly in my mind.
Sticking to my premise makes me keep to the point of the story all the way
through instead of veering off at tangents and getting lost. When I wrote my
first stories I did not plan - just went with the flow of a good story idea.
But before I had gotten very far my story idea started changing as I stumbled
upon new and fascinating stuff for my character to get into… I ended up in a
hopeless mess with no idea of how to straighten it all out. Then I suddenly
remembered the original story idea and realised I had unintentionally abandoned
it. (If you are a ‘seat of your pants’
kind of writer a premise of some kind is, I think, essential. But maybe you can stay nicely on course
without one.)
Anyway then I read a few books and Irealised that premise was what I was missing. It is not the plot of a story but the main point and leads directly from the main story question to the resolution at the end. James Frey describes it as “A statement of what happens to the characters as a result of the core conflict in the story.” For example: In Dickens’ Christmas Carol the premise would be – ‘looking and learning from past mistakes leads to redemption and forgiveness’ because in the end, of course Scrooge is a changed character.
In my latest book ‘The Afterlife of Darkmares’, the premise I used was ‘mother love can overcome everything, even ‘other worldly’ threats. ‘
Adding subplots and other characters does not change this central theme of the story because the thread running through and holding it all together is premise which once promised must be delivered on at the end.
Anyway then I read a few books and Irealised that premise was what I was missing. It is not the plot of a story but the main point and leads directly from the main story question to the resolution at the end. James Frey describes it as “A statement of what happens to the characters as a result of the core conflict in the story.” For example: In Dickens’ Christmas Carol the premise would be – ‘looking and learning from past mistakes leads to redemption and forgiveness’ because in the end, of course Scrooge is a changed character.
In my latest book ‘The Afterlife of Darkmares’, the premise I used was ‘mother love can overcome everything, even ‘other worldly’ threats. ‘
Adding subplots and other characters does not change this central theme of the story because the thread running through and holding it all together is premise which once promised must be delivered on at the end.
This is just how I try
and stay on track.
Having said all that
maybe you know a better way to keep to the central story line?
It can be difficult to stick to a premise when great ideas invade one's head.
ReplyDeleteLove,
Janie
That's very true! Thanks for commenting Janie
DeleteI must admit I've never thought too much about premise. I am going to try to apply it to my current wip and see where it gets me :-) x
ReplyDeleteBest of luck Teresa! Many thanks for your comments.
Delete